Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The historic place and power of Forrest are of themselves one good
reason why his life should be fully and fairly written while all the
data are within reach. For it can hardly be a matter of doubt that
the theatre is destined in future ages to have in this country a rank
and a space assigned to it in the education and entertainment of the
public such as it has not yet known. The interest in types of human
nature, in modes of human life, in all the marvels of the inner world
of the soul, will increase with that popular leisure and culture which
the multiplication of labor-saving machinery promises to carry to an
unknown pitch; and as fast as this interest grows, the estimate of
the drama will ascend as the best school for the living illustration
of the experience of man. It is not improbable that the scholars and
critics of America a hundred or two hundred years hence will be looking
back and laboring with a zeal we little dream of now to recover the
beginnings of our national stage as seen in its first representatives.
For then the theatre, in its splendid public examples and in its
innumerable domestic reduplications, will be regarded as the unrivalled
educational mirror of humanity.
Of no American actor has there yet been written a biography worthy
of the name; though scarcely any other sphere of life is so crowded
with adventure, with romance, with every kind of affecting incident,
and with striking moral lessons. The theatre is a concentrated nation
in itself. It is a moving and illuminated epitome of mankind. It is
a condensed and living picture of the ideal world within the real
world. It has its old man, its old woman, its king and queen, its
fop, buffoon, and drudge, its youth, its chambermaid, its child, its
fine lady, its hero, its walking gentleman, its villain,--in short,
its possible patterns of every style of character and life. On the
surface of that little mimic world play in miniature reflection all
the jealousies and ambitions, hopes and fears, joys and sorrows, plots
and counterplots, of the huge actual world roaring without. A clear
portrayal of this from the interior, or even a constant suggestion of
it in connection with the history of one of its representatives, must
be full of interest and edification.
Public-domain text, read in full here on John Shaqi.
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