Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
Besides, he was a man of extraordinary strength and originality of
character, an imperious, self-defending personality, living steadfastly
at first hand from his own impulses, perceptions, and purposes, not
shiftily in faded reflections of the opinions and wishes of other
people at the second or third remove. He was a standing refutation of
the common prejudice against actors, that simulating so many fictitious
traits they gradually cease to have genuine ones of their own, and
become mere lay figures ready for every chance dress. If any man ever
was true to his own fixed type, Forrest was. The study of such a
character is always attractive and strengthening, a valuable tonic for
more dependent and aimless natures.
He lived a varied, wide, and profound life. He travelled extensively,
mingled with all sorts of people, the noble and the base, the high
and the low, observed keenly, reflected much, was exposed to almost
every sort of trial, and assimilated into his experience the principal
secrets of human nature. The moral substance of the world passed into
his soul, and the great lessons of human destiny were epitomized
there. He knew the inebriating sweetness of popular applause, and the
bitter revulsions consequent on its change into public disfavor and
censure. He wore the honors, suffered the penalties, and proved both
the solidity and the hollowness of fame on its various levels, from the
wild idolatry of ignorant throngs to the admiring friendship of gifted
and refined spirits. There are swarms of men of dry and contracted
souls, and of a poor, wearisome monotony of conventional habits, with
no spiritual saliency or relish, no free appropriation of the treasures
of the world, whose lives if written would have about as much dignity
and interest as the life of a dorbug or a bat. But when a man's
faculties are expansive, and have embraced, in a fresh, impulsive way,
a great range of experiences, the story is worth telling, and, if truly
told, will not fail to yield matter for profitable meditation.
In addition, Forrest always showed himself a man of sterling integrity,
inflexible truth, whose word was as good as his bond, who toiled in the
open ways of self-denial and industry to build his name and position.
He bribed no one to write him up, bought no one from writing him
down, stooped to no startling eccentricities or tricks to get himself
talked about, arranged no conspiracies to push his own claims or hold
others back, but by manly resolution, study, and effort paid the fair
price for all he won, triumphantly resisting those insidious lures of
indolence, dissipation, and improvidence so incident to a theatrical
career, and steadily raising himself to the summit of his difficult
profession, where he sat in assured mastery for two generations. There
was a native grandeur about him which attracted admiring attention
wherever he moved.
Public-domain text, read in full here on John Shaqi.
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