Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2) — John Shaqi
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
differenced from his average fellow-men just as those two or three
matchless thoroughbred stallions who have so startlingly raised the
breed of horses in this whole country were differenced from their
plebeian brothers in the dray and at the plough.
The truth here indicated is one of surpassing importance. However
overlooked by the ignorant multitude, it was blindly felt by them, and
it was clearly seen by all who had the key to it, especially by women
of rich intuitions. With these Forrest was always an especial favorite.
Not only did the magnetizing signs of his power so work upon hundreds
of men all over the land that he was imitated by them, his habitudes of
bearing and voice copied and transmitted, but they also wrought more
deeply still on more sensitive imaginations, producing reactions there
to be transmitted thence upon their offspring and perpetuate his traits
in future generations. This is one of the historic prerogatives of the
potent and brilliant artist, one of the chosen modes by which selective
nature or providence improves the strain of our race. No biography can
have a stronger claim on public attention than one which promises to
throw light on the law for exalting the human organism to its highest
perfection,--a secret which belongs to the complete training of a
dramatic artist and the fascination with which it invests him in the
eyes of sensibility.
Still further, Forrest has a claim for posthumous justice as one who
was wronged in important particulars of his life and misjudged in
essential elements of his character. Outraged, as he conceived, in the
sanctities of his manhood, he bore the obloquy for years with outward
silence, but with an inner resentment that rankled to his very soul.
Endowed with a tender and expansive heart, cultivated taste, and a
scrupulous sense of justice, shrinking sensitively from any stain on
his honor, he was in many circles considered a selfish despot addicted
to the most unprincipled practices. His enemies, combining with
certain sets of critics, incompetent, prejudiced, or unprincipled,
caused it to be quite commonly supposed that he was a coarse, low
performer, merely capable of splitting the ears of the groundlings;
while, in fact, his intellectual vigor, his conversational powers, his
literary discernment, and his sensibility to the choicest delicacies of
sentiment were as much superior to those of the ordinary run of men as
his popular success on the stage was greater than that of the ordinary
stock of actors. Betrayed--as he and his intimate friends believed--in
his own home, he was, when at length, after long forbearance, moved to
seek legal redress, himself accused, and as he always felt, against
law, evidence, and equity, loaded with shameful condemnation and
damages. Standing by his early friends with faithful devotion and
open purse, he was accused of heartlessly deserting them in their
misfortunes. A penniless boy, making his money not by easy speculations
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