Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
He departed for Rome, where his poor daughter was guarded in the house
of her uncle, Numitorius, in the deepest distress and terror. He
entered; and such was his expression as he cried, "My child! my child!"
and she rushed into his arms, that there were scarcely ever many dry
eyes in the theatre at that moment. Then it was something divine to
be seen, and never to be forgotten, to behold how he turned from his
blistering and disdainful apostrophe to the villain who had dared set
his panders after her, and, taking her precious head in his hands,
gazed in her face, saying,--
"I never saw you look so like your mother
In all my life!
_Virginia._ You'll be advised, dear father?
_Virginius._ It was her soul,--her soul, that played just then
About the features of her child, and lit them
Into the likeness of her own. When first
She placed thee in my arms,--I recollect it
As a thing of yesterday!--she wished, she said,
That it had been a man. I answered her,
It was the mother of a race of men.
And paid her for thee with a kiss. Her lips
Are cold now,--could they but be warmed again,
How they would clamor for thee!
_Virginia._ My dear father,
You do not answer me! Will you not be advised?
_Virginius._ I will not take him by the throat and strangle him!
But I COULD do it! I could DO IT!"
They go to the Forum, where Appius is seated on the tribunal, supported
by the lictors and an armed troop. The acting of Forrest in the
trial-scene that followed was as genuine and moving, set in as bold
relief, as anything the American theatre has known. Who that saw him
can ever forget the imperial front with which, bearing Virginia on
his arm, he advanced before the judgment-seat,--the firm step, the
indomitable face, the parental love that seemed to throw a thousand
invisible tendrils around his child to hold her up! The tableau caused
a silence that was absolute, and was maintained so long that the
suspense had begun to be painful, when the kingly voice of Virginius
broke the spell:
"Does no one speak? I am defendant here!
Is silence my opponent? Fit opponent
To plead a cause too foul for speech! What brow
Shameless, gives front to this most valiant cause,
That tries its prowess 'gainst the honor of
A girl, yet lacks the wit to know that they
Who cast off shame should likewise cast off fear!"
The strong, lucid, cutting tones in which these words were spoken
went vibrating into the breasts of the listeners, and thrilled them
with sympathetic echoes. The perjured witness was summoned by the
recreant judge. And the next passage of the play had a moral meaning
deep enough, and was represented with a truth and power grand enough,
to turn the stage for the time being into a pulpit and make the world
tremble at its preaching.
"_Virginius._ And are you the man
That claims my daughter for his slave?--Look at me,
And I will give her to thee.
Public-domain text, read in full here on John Shaqi.
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