Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
_Claudius._ She is mine, then:
Do I not look at you?
_Virginius._ Your eye does, truly,
But not your soul.--I see it, through your eye,
Shifting and shrinking,--turning every way
To shun me. You surprise me, that your eye,
So long the bully of its master, knows not
To put a proper face upon a lie,
But gives the port of impudence to falsehood
When it would pass it off for truth. Your soul
Dares as soon show its face to me!"
Now the interest grows yet intenser and the influence of the actor
yet more penetrating in its simplicity and terrible beauty. Virginius
finds that nothing can save his daughter from the last profanation of
the tyrant except her immediate immolation by himself. For a moment
he is lost in a reverie, striving to think what he can do. By chance
he perceives a knife lying on the stall of a butcher. At the sight of
this providential instrument an electric change passes over his face,
revealing all his purpose with a grim joy, like the lightning-flash at
night illumining the murky sky and giving an instantaneous outline of
the clouds loaded with the coming storm. He moves gradually towards
the stall, smiling on Virginia a tender smile, full of the consolation
he sees in the prospect of her deliverance even by death. He pats her
lovingly on the shoulder while changing her from his left arm, that
with it he may reach the knife. He stealthily seizes it and passes
it behind him from the left hand to the right. With deep fondness he
breathes, "My dear Virginia," and gives her quick and fervent kisses,
which he appears striving to press into her very soul. Tears seem to
moisten his words,--
"There is one only way to save thine honor,--
'Tis this!"
And, swift as motion of the human arm can make it, the knife pierces
her heart. The storm has burst, the lightning has wreathed its
folds around the consecrated instrument of the work, and now the
thunder-tones of his voice crash through the theatre in the awful
exclamation,--
"Lo, Appius! with this innocent blood
I do devote thee to the infernal gods!
Make way there!
If they dare
To tempt the desperate weapon that is maddened
With drinking my daughter's blood, why, let them.
Thus, thus it rushes in amongst them. Way, there!"
His exit here used to excite the wildest huzzas, the men in the pit
standing with their hats in their uplifted hands, and the women in the
boxes waving their handkerchiefs.
Virginius heads the revolution, in which the revolted troops and the
commons join. The tyranny is hurled to the dust, the people freed, and
Appius lodged in prison. But the wronged and wretched father is broken
down by the preternatural horror and excitement he has undergone, and
loses his reason. He is next seen in his own desolate home, with a pale
and haggard face, and a look half wild, half dreamy, talking to himself:
Public-domain text, read in full here on John Shaqi.
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