Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
"The London press, as you probably have noticed, has been divided
concerning my professional merits; though as a good republican I ought
to be satisfied, seeing I had an overwhelming majority on my side.
There is a degree of dignity and critical precision and force in their
articles generally (I speak of those against me, as well as for me,
and others, also, of which my acting was not the subject) that place
them far above the newspaper criticisms of stage performances which we
meet with in our country. Their comments always show one thing,--that
they have read and appreciated the writings of their chief dramatists;
while with us there are many who would hardly know, were it not
for the actors, that Shakspeare had ever existed. The audiences,
too, have a quick and keen perception of the beauties of the drama.
They seem, from the timeliness and proportion of their applause, to
possess a previous knowledge of the text. They applaud warmly, but
seasonably. They do not interrupt a passion and oblige the actor to
sustain it beyond the propriety of nature; but if he delineates it
forcibly and truly, they reward him in the intervals of the dialogue.
Variations from the accustomed modes, though not in any palpable new
readings,--which, for the most part, are bad readings, for there is
generally but one mode positively correct, and that has not been left
for us to discover,--but slight changes in emphasis, tone, or action,
delicate shadings and pencillings, are observed with singular and
most gratifying quickness. You find that your study of Shakspeare has
not been thrown away; that your attempt to grasp the character in its
'gross and scope,' as well as in its details, so as not merely to know
how to speak what is written, but to preserve its truth and keeping in
a new succession of incidents, could it be exposed to them,--you find
that this is seen and appreciated by the audience; and the evidence
that they see and feel is given with an emphasis and heartiness that
make the theatre shake.
"Though my success in London, and now here, has been great beyond my
fondest expectations; though the intoxicating cup of popular applause
is pressed nightly, overflowing, to my lips; and though in private I
receive all sorts of grateful kindnesses and courtesies,--yet--yet--to
tell the truth--there are moments when a feeling of homesickness comes
upon me, and I would give up all this harvest of profit and fame which
I am gathering, to be once more in my 'ain hame' and under 'the bright
skies of my own free land.'"
Public-domain text, read in full here on John Shaqi.
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