Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The animus of such writing is so obvious to every person of insight
that it falls short of its mark, and does no injury to the artist
ridiculed. The writer shows himself, as one of his contemporaries said,
not a critic, but a caviller,--a gad-fly of the drama.
Among the squibs that flew on all sides among the partisans, abounding
in phrases like "the icy stilts and bombastic pomposity of Vandenhoff,"
"the stiff and disagreeable mannerism of Macready," "the affected,
half-convulsive croaking of Charles Kean," "the awkward ignorance and
brutality of Forrest," the American actor was treated, on the whole, as
well as the English ones. A gentleman who had a private box in Drury
Lane lent it to a friend to see Forrest in Othello. But it was one of
his off-nights, in which Booth was substituted as Richard. The next
morning these lines appeared in a public print, as full of injustice as
such things usually are:
"Of Shakspeare in _barns_ we have heard;
Yet who has the patience, forsooth,
To witness King Richard the Third,
Enacted to-night in a--BOOTH?
The order to you I have brought,
Not liking the Manager's trick;
For instead of the FORREST I sought,
He now only offers a _stick_."
The impression he made, however, his great and unquestionable success,
are best shown by certain salient facts with which the dramatic
critics, prejudiced or unprejudiced, had nothing to do: the brilliant
public banquet given in his honor by the Garrick Club, with Thomas Noon
Talfourd in the chair; the exhibition, at the Somerset House, of his
full-length portrait as Macbeth in the dagger-scene; and the numerous
valuable presents made to him by various eminent men, including a
superb original oil-portrait of Garrick;--these tell their own story.
At the close of his first engagement a testimonial was given him by
his fellow-actors, every one of them spontaneously joining in the
contribution. It was, as the "Morning Herald" described it, "a splendid
snuff-box of tortoise-shell, lined and mounted with gold, with a mosaic
lid, and the inscription,--
"To Edwin Forrest, Esq., the American tragedian, from the performers
of the Theatre Royal, Drury Lane, in testimony of their admiration of
his talent as an actor, and their respect for him as a man. 'His worth
is warrant for his welcome hither.'--SHAKSPEARE."
Public-domain text, read in full here on John Shaqi.
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