Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
“As regards Forrest, we are often amused to hear people, who have vainly
refused for years to recognize his great histrionic abilities, wonder
how it is that he invariably attracts crowded houses whenever he
performs. We do not know any actor of his rank who has been so
scurrilously abused and to so little purpose. The most elaborate
pretences at criticism are always poured out on his devoted head, and if
the power of the press could have written a man down he surely would
have been long since; for he has few special champions among
acknowledged critics, a fact which shows how deep is the feeling against
him among particular classes. We must candidly confess to have never
been biased by profound admiration of Forrest’s acting, and yet we must
also admit that after having calmly, patiently, and attentively watched
some entire performances of his, we were convinced that he really
possessed far greater powers of mind than any of the critics ever had
given him credit for. His style is apt to be uneven, and men of his
mould of intellect cannot always enact the same parts with the same good
taste. But of his superb elocution,—of the noble idea of latent force
and suppressed passion which his whole manner embodies,—of the
perfection of manly dignity and physical development which have never
had a better representative on the stage than in his person,—of the
marvellous voice, so musical in its sound, and so happily adjusted in
its modulations to increase the expression of a sentence,—there ought,
in our judgment, to be no abatement of that admiration so long and so
justly accorded to him. If all the critics in the country were with one
voice to deny the existence of these things, their fiat would be
powerless against the evidence of men’s senses. We admit that he has no
subtlety of intellect, no finely-drawn perceptions of delicate shades of
human character. What he does is the result of the action of a very
strong mind, capable of being directed in a particular channel with
resistless energy; but this is the very class of minds out of which have
arisen some of the greatest men in the world’s annals. When Forrest
performs an engagement people go to see him who know all his defects,
but they go because it is the only acting of the highest class they have
the opportunity of seeing, and it is so far above the rivalry of such
actors as have been here during the last decade as to admit of no
comparison.”
Public-domain text, read in full here on John Shaqi.
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