Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The practice of the dramatic art rests on the differences of men amidst
their similarities. The whole intercourse of life really consists at
bottom in a complex and subtile game of superiorities and inferiorities,
full of tests and tricks, surprises, pains, and pleasures. Every one who
has not been regenerated from the selfish heritage of history into a
saintly disinterestedness is constantly impelled by a desire far deeper
than his consciousness to wish to see others inferior to himself, to
feel himself superior to others, and to get this relative estimate
accepted in the imaginations of the bystanders. Human experience in
society is a half-open and half-disguised battle for advantage and
precedence, inward and outward, private and public, filled with attacks
and defences, feints and traps, overtures and defiances, every
conceivable sort of coarse or exquisite artifices for winning victories
and inflicting defeats in the occult and endless game of personal
comparisons.
All comparisons imply standards of judgment. There are eight of these
standards,—four primary, and four secondary. The first of the primary
standards of excellence by which we try ourselves and one another is
bodily health, strength, grace, and beauty. The second is moral
character, goodness of disposition, purity and nobility of motives. The
third is genius and talent, brilliant powers of creative or beneficent
action. The fourth is technical acquisitions, artificial learning and
accomplishments, charm of manners, skill in doing attractive or
important things. The first of the secondary standards by which men are
estimated in society is hereditary rank or caste, birth, blood, and
title. The second is official place and power, social position and
influence. The third is reputation and fame. The fourth is wealth. All
these standards, it will be observed, find their ultimate meaning and
justification in the idea of adaptedness for the fulfilment of the ends
of life. Good is the fruition of function. The highest personal beauty
and genius imply the greatest fitness for the fulfilment of function.
Wealth is a material means, fame an ideal means, for the fruition of
life.
But obviously there are distinctions of grade and of authority among
these standards, and he who ranks high when judged by one of them may
rank low according to another. It is the continual subterfuge of self-
love at the inner tribunal to evade the tests of the standards that are
unfavorable to it, and to court comparison by those whose verdicts are
surest to be flattering. On the contrary, in testing other people, the
egotistic and ungenerous person instinctively applies the tests most
likely to insure condemnation. This is the first vice of introspection
and of mutual criticism.
Public-domain text, read in full here on John Shaqi.
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