Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The second evil is setting lower standards above higher ones,
attributing more importance to apparent or conventional claims than to
real and intrinsic merits. In all ignoble circles, among all men and
women of low sensibility or of shallow routine, there is a steady
tendency to estimate self and associates by factitious and hollow
standards of good instead of the inherent and substantial standards.
More deference is paid to dress and title than to form and bearing.
Privileged descent and station are put before genius and worth. Deeds
and deserts go to the wall in favor of shows and professions. Riches are
esteemed above character. What others think of us is deemed of greater
account than what God knows of us. This turning topsy-turvy of the
standards for the judging of men is what fills the world with the
confusion, wickedness, and misery of a rivalry that is as detestable as
it is pernicious and sad.
No two men can be exactly alike. Inequality is the universal law of
existence. Without it there would be an unbroken monotony and stagnation
equivalent to death. It is the play of greater and lesser, fairer and
homelier, wiser and foolisher, higher and lower, better and worse,
richer and poorer, older and younger, that intersperses the spectacle of
being and the drama of experience with the glimpsing bewitchments of
surprise, the ravishing zest of pursuit and success, the everlasting
freshness and variety of desire, change, suspense, risk, and adventure.
The essential moral struggle for superiority, in which all men are
forever engaged whether they know it or not, is the divine method of
enchanting them with life and luring them forward. It would be an
unmixed good, covering all intercourse with the charm of a theatrical
beauty and spicing every day with the relish of a religious game, were
it not for the predominant vices of fraud, envy, and tyranny
surreptitiously introduced into the contest. Did all men regard their
superiors with joyous reverence and aspiration, their equals with co-
operative friendship, and their inferiors with respectful kindness and
help, never of their own will raising the question as to who shall
command or lead and who obey or follow, but leaving these points to be
decided by the laws in the manifest fitness of things, the unlikenesses
and inequalities which now set them at wretched odds would be the very
conditions of their orchestral harmony and the chief elements of their
converging delight. The general genius of the dramatic art, purified and
perfected, tends directly to bring this about, while the special genius
of each of the other liberal professions stands obstructively in the
way. For the spirit of each of the other professional classes segregates
it from general humanity into a privileged order whose members maintain
its prerogatives by means of a necessary _peculium_ for which their
special interest makes them desire that the rest of the world shall
depend exclusively on them.
Public-domain text, read in full here on John Shaqi.
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