Adventure stories -- Authorship; Marryat, Frederick, 1792-1848; Novelists, English -- 19th century -- Biography; Sea stories -- Authorship
His departure for America is a convenient date at which to stop and
survey Marryat’s literary work. After 1837, he did some things as good as
anything he had done before, and some at once unlike what he had already
written, and yet excellent of their kind. “Poor Jack” and “Percival
Keene” have touches of the old sea life, and flashes of fun, not inferior
to his earlier writing. The “Phantom Ship” has a character of its own;
the children’s stories of his last years are excellent. All these are
later than 1837. Still, if he had ceased to write entirely in that year,
his place in literature would be as high as it is. We should have “The
King’s Own,” “Peter Simple,” “Mr. Midshipman Easy,” “Japhet,” “Jacob
Faithful,” and “Snarley Yow,” and with these we should possess the best
of him. In those eight busy years Marryat had poured out the harvest of
his experience profusely. His beginning in literature had been singularly
fortunate. The time was favourable to writers of any originality
certainly. A brilliant magazine article made a reputation. There was
a marked readiness to recognize ability and reward it. What amount of
praise and pudding would be given in these days for another essay on
Milton it would be useless to guess, but undoubtedly it could hardly
be greater than the share which fell to Macaulay for his early effort.
Carlyle made a place for himself by a few articles. The wind which blew
for them blew for others also. As has almost always been the case in
great literary periods, the readiness of the reader to recognize and
admire was as strong as the productive power of the writer. The audience
met the playwright half way. Sir Walter Scott had prepared the market
for the novelist. He had enormously increased the taste for novels,
and whoever could write at all was the surer of a hearing, because
“Waverley” had made stories a necessity to readers. There is among the
more atrabilious kind of men of letters a secret belief that the sum of
popularity is a fixed quantity, of which whatever is earned by one man is
necessarily lost by another. That one nation’s gain is another’s loss in
commerce, was an accepted axiom with economists of the days of darkness
before Adam Smith. It has been given up on maturer consideration, and is
assuredly no more true in literature than international trade. A great
writer who gains a great popularity increases the chance of the smaller
men. Sir Walter and Jane Austen helped the Mrs. Meeke in whom Macaulay
delighted.
Public-domain text, read in full here on John Shaqi.
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