Adventure stories -- Authorship; Marryat, Frederick, 1792-1848; Novelists, English -- 19th century -- Biography; Sea stories -- Authorship
That the book was so much of an autobiography was a misfortune for
Marryat. He might protest as much as he pleased that he was not Frank
Mildmay, and had not run a career of vice, but the impression left by
the book was and is disagreeable. Why should a man attribute his own
adventures to a tiger? Now, Frank Mildmay is a tiger--a very insolent,
callous, young cub. It shows Marryat to have been very inexperienced
indeed that he should have made such a mistake. He must have known that
the adventures would be recognized. The naval world is a small one,
and an exclusive. Naval officers live together by choice on shore as
they do by necessity at sea. Everything written about the profession
is talked over, and interpreted, when interpretation is needed. Every
incident in “Frank Mildmay” was no doubt recognized at once; and when
it was found that the things that had happened to the hero of the story
were the adventures of the author, it is not to be wondered at that the
two were thought to be also identical in character. Marryat, in fact,
committed with himself the very error of judgment into which Dickens was
led with Leigh Hunt, when he made Harold Skimpole a rascal, in order to
prove that he was not a caricature of his friend. But there is something
more than inexperience and error of judgment about “The Naval Officer.”
Marryat can hardly have seen what a bad fellow he had drawn. Frank
Mildmay has not only those “sins of the devil,” which may be worse, but
are more dignified, than the sins of men--he errs not only by “pride and
rebellion,” but he is a mean scamp; and I am afraid that Marryat did not
see it. He was as blind to the faults of his bantling as Smollett was
to the ruffianism of Roderick Random, or Fielding to the very vulgar
inferiority of Tom Jones. Criticism seems to have opened his eyes, and
little as he liked the lesson, he took the warning; but it was only for
a time. Unfortunately he fell back on it. Percival Keene is just such
another--a very low fellow, with a kind of wild boar courage. It would
appear that Marryat did not see some things as plainly as one could wish
he had done. It is unnecessary to insist on the faults of construction
in a book which belonged to an altogether bastard genre. What merits
it had--and they were sufficient to give promise of a brilliant
novelist--were to be repeated in other books much more pleasant, and much
more capable of repaying examination.
Public-domain text, read in full here on John Shaqi.
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