Adventure stories -- Authorship; Marryat, Frederick, 1792-1848; Novelists, English -- 19th century -- Biography; Sea stories -- Authorship
smartness which has never left the British navy rose to its height in the
last years of the Great War, and did indeed sometimes attain to actual
mania in the minds of captains and first lieutenants in want of something
to employ themselves and their men upon.
There was, however, one class of ship which had a fair chance of active
service. The frigates were never, even to the end, reduced to mere
patrolling. It was to them indeed that fell all the brilliant fighting in
the last ten years or so of the war. The French never altogether ceased
to send forth cruisers which had necessarily to be pursued and captured.
Moreover, there was work to be done upon the enemy’s coasts, convoys to
be taken, forts to be destroyed, privateers to be cut out. After 1808
we were in alliance with the Spaniards, and there was then no want of
chances for enterprising officers to distinguish themselves against the
French invaders on the coasts, particularly in the Mediterranean. The
Mediterranean, including the Adriatic, and the East Indies, were the
great theatres of the war until the Americans struck in.
It was a material addition to his good fortune in being appointed to
such a ship, and on such service, that he should have begun under the
captain who then commanded the _Impérieuse_. The novelist who was to
give the most living of all pictures of the navy at its greatest time
could not possibly have met with a better chief. Lord Cochrane, who is
better known as the Earl of Dundonald, was, next to Nelson (the master
of them all), that one of the naval officers of the Great War who was
most distinctly a man of genius. There were others who were brave, able,
honourable gentlemen. In pure seamanship many may have been his equals.
In a service which included such men as Blackwood, Hallowell, Willoughby,
the Captain Hamilton who cut out the _Hermione_, Broke of the _Shannon_,
and a hundred other valiant gentlemen, even Dundonald could not hope for
a pre-eminence in valour. It may even be allowed that he never, while
fighting for his own country, was able to achieve anything so complete,
so distinctly what Cortes called a “muy hermosa cosa,” a very pretty
piece of fighting with a squadron, as Sir William Hoste’s little gem of
a victory over the French frigates off Lissa. He was not allowed the
chance to handle a detachment of ships in independent command. But there
was in Dundonald the indefinable something--“those deliveries of a man’s
self which have no name,” that combination of passion and faculty--which
makes the man of genius. Whatever he did was done with a burning fire
of energy. The fire was not always pure. There was a self-assertion
about the man--never base, but always aggressive, a pragmatical Scotch
fierceness, a love of hate and scorn, a total inability to keep measure,
which can be seen on every page of his Autobiography, and explain why
it was that he was always, in our service or out of it, a free lance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account