in the Clerk's Office of the District Court of the Southern District of New York. _B. CRAIGHEAD, Printer and Stereotyper, 53 Vesey Street._ CONTENTS. LIFE OF THE COUNTESS DE ROSSI, 5 PEN AND INK PORTRAIT, BY _Marie Aycard_, 37 HENRIETTE SONTAG, BY _M. Scudo_, 39 HENRIETTE SONTAG IN FRANCFORT, BY _Louis Boerne_, 46 PAST AND PRESENT, BY _Theophile Gautier_, 51 HOW SONTAG SINGS, BY _Hector Berlioz_, 53 THE PRIMA DONNA AND THE COUNTESS, BY " " 53 IS IT THE MOTHER OR THE DAUGHTER? BY _Adolphe Adam_, 57 SOUVENIR OF THE OPERA, BY _Julie de Margueritte_, 59 SONTAG AND THE EMPEROR OF RUSSIA, BY _Prince Puckler-Muskau_, 64 MEMOIR OF THE COUNTESS DE ROSSI. WHETHER in rapid memoir or in ponderous biography, the life-sketcher or the chronicler must always fain behold the object before him as a model endowed not only with surpassing moral and physical beauties, but with that individuality of genius, and that peculiar destiny, which separate the few from the crowd. To the readers remains the duty of acting as those did who were wont to attend the triumphs of Roman conquerors, and urge the deduction of their mistakes and misdeeds--or, as the "Satanic advocate" in the process of canonization in the Pope's court, show how much more of a sinner than of a saint was the mortal about to pass into the heaven of human invention. Although, thus, well aware of how much our trifling office here is prone to exaggeration, we feel that there is no fear of transgressing in the present case, and that the readers will rather feel how much below than above the truth we remain. The Countess Rossi is as clearly fitted to be the heroine of a memoir of real life, as she is of being the heroine of a lyrical drama on the fictive scene. Those who will read this sketch will, we think, behold in her all the characteristics of a special and elevated nature--one marked amongst mankind, framed for its admiration and for its model. We have the striking attributes of a special nature manifest and effulgent even in infancy; we see them defying the obstacles of fortune, and constantly rising in power. We behold them in their utmost effulgence--first on the stage, and next in the highest regions of society, and, ultimately, tried by adversity. From beginning to end, the power and the effulgence remain ever the same, fitted for all positions: wherever it is placed, it continues unsullied and undiminished.