Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
The admirers of the genius of this great composer were chiefly the young
men of the Universities, and all those ardent and generous spirits who
wished to disenthral Germany from foreign rule, as well in the realm of
fancy as in that of politics; they sounded with enthusiasm the praises
of Mademoiselle Sontag, whose name was known throughout Germany as that
of a virtuoso of the first order, born to renew the marvels of Mara. It
was at Leipzig that Mara, that famous German singer of the close of the
eighteenth century, was educated under the care of the venerable
Professor Hiller. It was vouchsafed to M'lle Sontag to dedicate a
magnificent organ and a vocalization almost unknown on that side of the
Rhine, to the performance of the vigorous and profound music of Weber,
Beethoven, Spohr, and all those new German composers who, severing all
alliance with foreign scepticism, had given freedom to the national
genius. Overwhelmed with homage, celebrated by all the brilliant men of
the day, the students singing her praises, and followed by the _hourras_
of the German press, Mademoiselle Sontag was called to Berlin, where she
appeared with immense success at the theatre of Koenigstadt. It was at
Berlin, it will be remembered, that _Der Freyschutz_ was represented for
the first time. It was at Berlin, a protestant and rationalistic city,
the centre of an intellectual and political movement which sought to
concentrate within itself the life of Germany, at the expense of
Catholic Vienna, in which reigned the spirit of tradition, sensuality,
the gaiety and the light melodies of Italy; it was at Berlin, we say,
that the new school of dramatic music founded by Weber, had taken
foothold. Mademoiselle Sontag was received with enthusiasm as an
inspired interpretress of the national music. The Hegelian philosophers
found in her a subject for their learned commentaries, and they
recognised in her limpid and sonorous voice "_the subjective blended
with the objective in an absolute unity_." The old King of Prussia
received her at court with parental kindness. It was there that
diplomacy had occasion to make approaches to M'lle Sontag, and to effect
a breach in the heart of the muse.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account