Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
HENRIETTE SONTAG was born of a respectable family of artists, of limited
means, at Coblentz, Kingdom of Prussia. The old saying of the poet,
"_nascitur, non fit_," is singularly applicable to this great vocalist.
The strong bent for music which pointed out her ultimate vocation, was
observable as early as five years of age. At seven years of age, betwixt
her exquisite beauty and her exquisite voice, she was known far and wide
in her neighborhood. To gratify the nobility of the district, the
authorities of the town, or their friendly neighbors, it was the
practice of Henriette Sontag's mother to place her child on the table,
and bid her sing.
A distinguished traveller, who afterwards beheld her in all the
effulgence of her triumphs, relates having seen her sing in this manner
the grand aria of "The Queen of Night," in the _Zauberfloete_--her arms
hanging beside her, her eye following a fly on the window, or a
butterfly sporting on the flowers without--her voice, so pure, so
penetrating, and of angelic tone, flowing as unconsciously, as
effortless, and as sportive as a limpid rill from the mountain side.
The circle of her fame spread gradually wider and wider, and the
_Impresarii_ of Germany were not long in awakening to the importance of
securing the assistance of the infant wonder. The consequence was, that
at eleven years of age she appeared at Darmstadt, in a part written
purposely for her, entitled, _The Little Daughter of the Danube_. In
spite of her extraordinary success at Darmstadt, her wise and
conscientious parents, knowing the fate of infant prodigies when their
natural powers are allowed an untutored growth under the artificial
warmth of injudicious admiration and the heat of theatres, withdrew the
young _prima donna_ from the first scene of her successes, and conveyed
her to a very distant spot, the Conservatoire of Prague.
At the Conservatoire of Prague, the little maiden and her relatives did
not cease to be tempted by managers or _Impresarii_. First attracted by
her beauty, they were soon astonished by her aptitude. She successively
won the prize of every class of this great school of music, until she
earned the highest position; and, placed at the head of the school, she
became one of the marvels of the city.
Public-domain text, read in full here on John Shaqi.
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