Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
When he arrived at Vienna, such was, however, the report of the fame of
young Sontag, that the great sybarite of the day condescended at last to
visit the German opera, even at the sacrifice of having his ears,
accustomed to the melodious "_lingua Toscana_," torn by the guttural
discordance of the Teutonic tongue. On hearing Henriette Sontag sing,
Barbaja was overcome with astonishment. To this feeling succeeded
dismay, when, having immediately applied to her parents, he found in
them a polite but most unquestionable abhorrence for the Italian stage,
which they were afraid would lead their daughter to the land of moral
laxity, of _Cicisbei_ and _Patiti_, of
"Pasteboard triumph, and the cavalcade,
Processions formed for piety and love,
A mistress and a saint in every grove."
In vain he tempted them with an _El Dorado_ in perspective--the
conscientious Germans would not concede, at first, a single iota of his
wishes. The world, to whom she has imparted so much pure
enjoyment,--and, fortunately, will now impart so much more in time to
come--was near never hearing the great vocalist sing in an euphonious
language, in that which made her fame universal, and led her to visit
England and France.
At last, however, after repeated efforts, some concession was made,
although Barbaja's fate was like that of the hero of the classical
poet--the gods vouchsafed but half his prayer. Henriette Sontag was
allowed to appear at the Italian Opera at Vienna. But she alone, of all
the great singers of those days, never visited Italy. Many an evening
the good-natured Neapolitan _Impresario_, a still greater epicure in
gastronomy than in music, after enjoying a dinner such as Lucullus was
wont to degustate nearly on the same spot, as he walked on his Palace
terrace and looked down across the inlet to San Carlo, would grow moody
when he thought of what he lost by the rooted aversion of Sontag's
parents; and then he would anathematize the _Maledetti Tedeschi_, the
born enemies of his country, with an energy, if not with a poetry,
worthy of the patriotic _Filicaja_--for they, like all the other
invaders of Italy, "never gave her anything but blows and slavery, and
always took away everything they could, not leaving even an Iron Crown,
or a funeral urn to preserve the ashes of past greatness."
The important change for the musical world at large was, however,
effected. The next season Henriette Sontag was engaged to sing in
Italian at Vienna, and removed to the Carinthia, having for her
colleagues vocalists of such a calibre, that one of them, "_il buon
Rubini_," has never been surpassed; whilst all those who have enjoyed
the talents of the other, Lablache, feel that not only he has never
been, but cannot imagine that he ever will be equalled.
Public-domain text, read in full here on John Shaqi.
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