Life of Her Most Gracious Majesty the Queen — Volume 1Tytler, Sarah
History
Life of Her Most Gracious Majesty the Queen — Volume 1
Tytler, Sarah
Victoria, Queen of Great Britain, 1819-1901
Mendelssohn was also in London, and went to Buckingham Palace. He has left
a charming account of one of his visits in a letter to his mother. "I must
tell you," he writes, "all the details of my last visit to Buckingham
Palace.... It is, as G. says, the one really pleasant and thoroughly
comfortable English house where one feels _a son aise_. Of course I
do know a few others, but yet on the whole I agree with him. Joking apart,
Prince Albert had asked me to go to him on Saturday at two o'clock, so
that I might try his organ before I left England; I found him alone, and
as we were talking away, the Queen came in, also alone, in a simple
morning-dress. She said she was obliged to leave for Claremont in an hour,
and then, suddenly interrupting herself, exclaimed, 'But, goodness, what a
confusion!' for the wind had littered the whole room, and even the pedals
of the organ (which, by the way, made a very pretty picture in the room),
with leaves of music from a large portfolio that lay open. As she spoke
she knelt down, and began picking up the music; Prince Albert helped, and
I too was not idle. Then Prince Albert proceeded to explain the stops to
me, and she said that she would meanwhile put things straight.
"I begged that the Prince would first play me something, so that, as I
said, I might boast about it in Germany. He played a chorale by heart,
with the pedals, so charmingly, and clearly, and correctly, that it would
have done credit to any professional; and the Queen, having finished her
work, came and sat by him and listened, and looked pleased. Then it was
my turn, and I began my chorus from _St. Paul_, "How lovely are the
messengers." Before I got to the end of the first verse they both joined
in the chorus, and all the time Prince Albert managed the stops for me so
cleverly--first a flute, at the _forte_ the great organ, at the D
major part the whole register, then he made a lovely _diminuendo_
with the stops, and so on to the end of the piece, and all by heart--that
I was really quite enchanted. Then the young Prince of Gotha came in, and
there was more chatting; and the Queen asked if I had written any new
songs, and said she was very fond of singing my published ones. 'You
should sing one to him,' said Prince Albert, and after a little begging
she said she would try the 'Fruhlingslied' in B flat. 'If it is still
here,' she added, 'for all my music is packed up for Claremont.' Prince
Albert went to look for it, but came back saying it was already packed.
'But one might, perhaps, unpack it,' said I. 'We must send for Lady
----,' she said (I did not catch the name). So the bell was rung, and the
servants were sent after it, but without success; and at last the Queen
went herself, and while she was gone, Prince Albert said to me, 'She begs
you will accept this present as a remembrance,' and gave me a little case
with a beautiful ring, on which is engraved 'V. R., 1842.'
Public-domain text, read in full here on John Shaqi.
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