Life of Her Most Gracious Majesty the Queen — Volume 1Tytler, Sarah
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Life of Her Most Gracious Majesty the Queen — Volume 1
Tytler, Sarah
Victoria, Queen of Great Britain, 1819-1901
"Then the Queen came back and said, ' Lady ---- is gone, and has taken all
my things with her. It really is most annoying.' You can't think how that
amused me. I then begged that I might not be made to suffer for the
accident, and hoped she would sing another song. After some consultation
with her husband, he said, 'She will sing you something of Gluck's.'
Meantime, the Princess of Gotha had come in, and we five proceeded through
various corridors and rooms to the Queen's sitting-room. The Duchess of
Kent came in too, and while they were all talking, I rummaged about
amongst the music, and soon discovered my first set of songs; so, of
course, I begged her rather to sing one of those than the Gluck, to which
she very kindly consented; and which did she choose? '_Schoner und
schoner schmuck sich_,' sang it quite charmingly, in strict time and
tune, and with very good execution. Only in the line '_Der Prosa Lasten
und muh_,' where it goes down to D, and then comes up again by
semi-tones, she sang D sharp each time, and as I gave her the note the two
first times, the last time she sang D, where it ought to have been D
sharp. But with the exception of this little mistake it was really
charming, and the last long G I have never heard better, or purer, or more
natural, from any amateur. Then I was obliged to confess that Fanny had
written the song (which I found very hard; but pride must have a fall),
and to beg her to sing one of my own also. 'If I would give her plenty of
help she would gladly try,' she said, and then she sang
'_Pilgerspruch_,' '_Lass dich nur_,' really quite faultlessly,
and with charming feeling and expression. I thought to myself, one must
not pay too many compliments on such an occasion, so I merely thanked her
a great many times, upon which she said. 'Oh, if only I had not been so
frightened! generally I have such long breath.' Then I praised her
heartily, and with the best conscience in the world; for just that part
with the long C at the close, she had done so well, taking it and the
three notes next to it all in the same breath, as one seldom hears it
done, and therefore it amused me doubly that she herself should have begun
about it.'
Public-domain text, read in full here on John Shaqi.
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