In the same way, the painters' art hovered on the borders of a brilliant epoch. For Lawrence, with his courtly brush, which preferred flattery to truth and cloying suavity to noble simplicity, was not worthy to be named in the same breath with Reynolds. Raeburn came nearer, but his reputation was Scotch. Blake in his inspiration was regarded, not without reason, as a madman. Flaxman called for classic taste to appreciate him; and the fame of English art would have suffered both at home and abroad if a simple, manly lad had not quitted a Scotch manse and sailed from Leith to London, bringing with him indelible memories of the humour and the pathos of peasant life, and reproducing them with such graphic fidelity, power, and tenderness that the whole world has heard of David Wilkie. The pause between sunset and sunrise, the interregnum which signifies that a phase in some department of the world's history has passed away as a day is done, and a new development of human experience is about to present itself, was over in literature. The romantic period had succeeded the classic. Scott, Coleridge, Southey (Wordsworth stands alone), Byron, Shelley, Keats, Campbell, Moore, were all in the field as poets, carrying the young world with them, and replacing their immediate predecessors, Cowper, Thompson, Young, Beattie, and others of less note. Sir Walter Scott had also risen high above the horizon as a poet, and still higher as a novelist. A great start in periodical literature was made in 1802 by the establishment of _The Edinburgh Review_, under Jeffrey and Sydney Smith, and again in 1817 by the publication of _Blackmoods Magazine_, with Christopher North for its editor, and Lockhart, De Quincey, Hogg, and Delta among its earlier contributors. The people's friend, Charles Knight, was still editing _The Windsor and Eton Express_. In 1819 Sir Humphry Davy was the most popular exponent of science, Sir James Mackintosh of philosophy. In politics, above the thunderstorm of discontent, there was again the pause which anticipates a fresh advance. The great Whig and Tory statesmen, Charles James Fox and William Pitt, were dead in 1806, and their mantles did not fall immediately on fit successors. The abolition of the slave-trade, for which Wilberforce, Zachary Macaulay, and Clarkson had fought gallantly and devotedly, was accomplished. But the Catholic Emancipation Bill was still to work its way in the teeth of bitter "No Popery" traditions, and Earl Grey's Reform Bill had not yet seen the light.