Goethe, although sorry for his father, was delighted on his own account
by the new turn of affairs. The monotony of life was broken by a great
excitement, and every day brought with it some fresh and unexpected
pleasure. His frankness, brightness, and geniality won Thorane’s heart,
and they became excellent friends. Goethe was especially interested in
the proceedings of the artists who had taken possession of his room, and
with their aid he began with zeal to practise drawing, in which he
acquired considerable skill. He learned to speak French fluently, and
was charmed to have an opportunity of hearing French plays, many of
which were now acted in Frankfort. Thus, at a most impressionable age,
he passed under a wholly new and stimulating set of influences, and it
was the recollection of these influences that made it impossible for
him, long afterwards, to join the majority of his countrymen in vague
and indiscriminate abuse of the great French people, to whose
civilization he owed some of the best impulses of his life.
In 1761, after more than two years of almost constant irritation,
Goethe’s father got rid of his troublesome guest, but the French did not
quit Frankfort until the end of the following year, when the Seven
Years’ War was about to close. Goethe’s father celebrated the conclusion
of the Treaty of Hubertusburg by presenting his wife with a gold
snuff-box, on the lid of which, set with diamonds, was an allegorical
picture of Peace. Goethe had often to go to the goldsmith to urge him to
make progress with this piece of work, and he took full advantage of the
chance of having long talks with a craftsman who had much to tell him
that was full of interest. This was thoroughly characteristic of Goethe,
who found almost any subject attractive when he could get information
about it from some one practically familiar with its details.
Lessons had been sadly interrupted during Thorane’s stay in the house.
After his departure they were resumed with double vigour. Goethe had
already a good knowledge of Latin, Italian, and French, and some
knowledge of Greek. To these languages he now added English, and he also
made considerable progress in Hebrew. For the exercises he had to write
for his father he often chose the form of dialogue; and one elaborate
exercise he designed as a series of letters, the various correspondents
writing from different parts of the world and in different languages. It
was in connection with these letters that he began the study of Hebrew,
as one of the correspondents wrote in Jew-German, for a thorough mastery
of which a knowledge of Hebrew seemed to be necessary.
Public-domain text, read in full here on John Shaqi.
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