After his wife’s death Goethe became anxious that arrangements should be
made for the marriage of his son August, who had for some time had an
official appointment at Weimar. Goethe’s choice fell upon Ottilie von
Pogwisch, a handsome, clever girl, the granddaughter of a lady for whom
he had much regard. August was of opinion that a better wife could not
have been selected for him, and so they were married on the 17th of
June, 1817. Goethe laughingly warned Ottilie that she was never to
contradict her husband, and that if she ever wanted to have the rapture
of a quarrel, she must come and have it out with _him_. They occupied
the top floor of Goethe’s house, the rooms of which had been carefully
prepared and furnished for them; and by and by they received as a
permanent inmate of their home Ottilie’s sister Ulrica. Two children
were born of the marriage, and his grandsons were to Goethe an
inexhaustible source of delight.
Much as Goethe had done for the Weimar Theatre, the business connected
with it had often been an occasion of trouble and annoyance, due chiefly
to the intrigues of the actress Fräulein Jagemann, who had great
influence over the Grand Duke. Early in 1817 it was decided, in
opposition to Goethe’s wishes, that the birthday of the Grand Duchess
should be celebrated by the representation of one of Kotzebue’s plays.
The performance was a failure, and Goethe handed in his resignation of
the directorship. He was persuaded to withdraw it, but later in the
year, when, in deference to Fräulein Jagemann, the Grand Duke sanctioned
the representation of a play in which a leading part was to be taken by
a dressed-up poodle, Goethe felt that it was impossible for him to
retain a position in which his authority was disregarded. From this time
he confined himself exclusively, in his official duties, to the control
of institutions for the promotion of science and art. He devoted
attention especially to the University of Jena, the prosperity of which
he had missed no opportunity of furthering ever since his settlement at
Weimar.
Public-domain text, read in full here on John Shaqi.
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