About this time Goethe made the acquaintance of a man by whose
friendship he laid great store. This was Merck, paymaster of the forces
of Darmstadt, who was about eight years older than Goethe. He was a
tall, meagre, rather awkward-looking man, somewhat cynical, but an
ardent student of literature, and thoroughly loyal to his friends.
Towards the close of 1771, a bookseller at Frankfort, asked Merck to
edit the “Frankfurter Gelehrten Anzeigen” (“The Frankfort Learned
Notices,” or “The Frankfort Review,” as we might say), a new literary
periodical which was to appear at the beginning of 1772. Merck accepted
the offer, and went to Frankfort to make arrangements with contributors.
During this visit Goethe met him, and they at once became friends.
Goethe joined the staff of the “Gelehrten Anzeigen,” and during the next
two years wrote for it a good many reviews of all kinds of books. The
opinions expressed in these reviews give evidence of a free and vigorous
judgment, and they are set forth in a fresh, incisive, and picturesque
style. It may be safely said that all great poets are great critics,
and in his first efforts at criticism Goethe gave sufficiently clear
indications that in the maturity of his powers he would be no exception
to the general rule.
He visited Merck several times at Darmstadt, where he became an intimate
friend of Herder’s betrothed, who often wrote about him to her lover at
Bückeburg. On one occasion, when walking to Darmstadt from Frankfort, he
was overtaken by a tempest, and had to take refuge in a hut. Here he
recited aloud, exactly as the words occurred to him, the “Wanderers
Sturmlied” (the “Wanderer’s Storm-song”), a series of wild, irregular
verses, in which he celebrates the power of Jupiter Pluvius, and
apostrophises the Genius that makes the poet’s spirit independent of the
accidents of time and place. To this period, also, belongs “The
Wanderer,” a fine poem--suggested, no doubt, by his experiences at
Niederbronn--in which a poet converses with a simple young mother in a
hut built of stones taken from the ruins of an ancient temple.
It had always been intended that Goethe, as his father had done before
him, and as it was the custom of many young advocates still to do,
should perfect himself in his profession by practising for some time in
connection with the imperial chamber at Wetzlar. Accordingly, he took
rooms at Wetzlar, in May, 1772. The work of each advocate at the
imperial chamber was exactly what the advocate himself chose to make it,
and Goethe chose to make his a mere form. Wetzlar, a little town on the
left bank of the Lahn, is situated in a charming country, and he did not
feel disposed to burrow among musty law-books when, in bright summer
weather, he had a chance of wandering in secluded valleys, and filling
his sketch-book with studies of landscape. He also spent a good deal of
time in reading Greek poets, taking especial delight in Pindar.
Public-domain text, read in full here on John Shaqi.
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