Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
General
Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
Keats and I though about the same age, and both inclined to
literature, were in many respects as different as two individuals
could be. He enjoyed good health--a fine flow of animal spirits--was
fond of company--could amuse himself admirably with the frivolities
of life--and had great confidence in himself. I, on the other hand was
languid and melancholy--fond of repose--thoughtful beyond my
years--and diffident to the last degree. But I always delighted in
administering to the happiness of others: and being one of a large
family, it pleased me much to see him and his brother George enjoy
themselves so much at our little domestic concerts and dances.... He
was of the sceptical and republican school. An advocate for the
innovations which were making progress in his time. A faultfinder with
everything established. I, on the contrary, hated controversy and
dispute--dreaded discord and disorder--loved the institutions of my
country.... But I respected Keats' opinions, because they were
sincere--refrained from subjects on which we differed, and only asked
him to concede with me the imperfection of human knowledge, and the
fallibility of human judgment: while he, on his part, would often
express regret on finding that he had given pain or annoyance by
opposing with ridicule or asperity the opinions of others.
Of Keats's physical appearance and poetical preferences the same witness
writes further:--
A painter or a sculptor might have taken him for a study after the
Greek masters, and have given him 'a station like the herald Mercury,
new lighted on some heaven-kissing hill.' His eye admired more the
external decorations than felt the deep emotions of the Muse. He
delighted in leading you through the mazes of elaborate description,
but was less conscious of the sublime and the pathetic. He used to
spend many evenings in reading to me, but I never observed the tears
in his eyes nor the broken voice which are indicative of extreme
sensibility. These indeed were not the parts of poetry which he took
pleasure in pointing out.
This last, it should be noted, seems in pretty direct contradiction with
one of Cowden Clarke's liveliest recollections as follows:--'It was a
treat to see as well as hear him read a pathetic passage. Once when
reading _Cymbeline_ aloud, I saw his eyes fill with tears, and his voice
faltered when he came to the departure of Posthumus, and Imogen saying
she would have watched him--
Till the diminution
Of space had pointed him sharp as my needle;
Nay follow'd him till _he had melted from
The smallness of a gnat to air_; and then
Have turn'd mine eye and wept.'
Public-domain text, read in full here on John Shaqi.
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