Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
a wide range of subject and feeling; gossip about the Dilkes and other
acquaintances; an account of the humours of his sea-passage from
Inverness to London; the unruffled allusion to the Tory reviews from
which we have already quoted; two long and curious sex-haunted passages,
one expressing his admiration of the same East Indian cousin of the
Reynoldses, 'not a Cleopatra, but at least a Charmian,' whom we have
found mentioned already in a letter to Reynolds, the other telling what
promised to be an equivocal adventure, but turned out quite
conventionally and politely, with a mysterious lady acquaintance met
once before at Hastings; a rambling discussion on the state of home and
foreign politics; a rhapsody, or as he would have called it rant, in a
mounting strain of verse which rings like a boy's voice singing in alt,
prophesying that the child to be born to George and his wife shall be
the first American poet; then more babble about friends and
acquaintances; then, as if he knew that the invincible thing, the
love-god whose spell he had always at once dreaded and longed for, were
hovering and about to swoop, he tries to re-assure himself by calling up
the reasons why marriage and the life domestic are not for him. The
Charmian passage and the passage in which he seeks to stave off the
approach of love are among the best known in his letters, but
nevertheless the most necessary to quote:--
She has a rich eastern look; she has fine eyes and fine manners. When
she comes into a room she makes an impression the same as the Beauty
of a Leopardess. She is too fine and too conscious of herself to
repulse any Man who may address her--from habit she thinks that
nothing _particular_. I always find myself more at ease with such a
woman; the picture before me always gives me a life and animation
which I cannot possibly feel with anything inferior. I am at such
times too much occupied in admiring to be awkward or on a tremble. I
forget myself entirely because I live in her. You will by this time
think I am in love with her; so before I go further I will tell you I
am not--she kept me awake one Night as a tune of Mozart's might do. I
speak of the thing as a pastime and an amusement than which I can feel
none deeper than a conversation with an imperial woman the very 'yes'
and 'no' of whose Lips is to me a Banquet. I don't cry to take the
Moon home with me in my Pocket nor do I fret to leave her behind me. I
like her and her like because one has no _sensations_--what we both
are is taken for granted. You will suppose I have by this had much
talk with her--no such thing--there are the Miss Reynoldses on the
look out. They think I don't admire her because I did not stare at
her. They call her a flirt to me. What a want of knowledge! She walks
across a room in such a Manner that a Man is drawn towards her with a
magnetic Power. This they call flirting! They do not know things.
Public-domain text, read in full here on John Shaqi.
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