Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
Unable to bear the sneers of ignorance or the attacks of envy, not
having strength of mind enough to buckle himself together like a
porcupine, and present nothing but his prickles to his enemies, he
began to despond, and flew to dissipation as a relief, which after a
temporary elevation of spirits plunged him into deeper despondency
than ever. For six weeks he was scarcely sober, and--to show what a
man does to gratify his appetites, when once they get the better of
him--once covered his tongue and throat as far as he could reach with
Cayenne pepper, in order to appreciate the 'delicious coldness of
claret in all its glory,'--his own expression.
If Keats really told Haydon that silly, and I should suppose impossible,
story about the claret and cayenne it was probably only a piece of such
'rhodomontade' as his friends describe, invented on the spur of the
moment to scandalize Haydon or under the provocation of one of his
preachments. That he may at moments during these unhappy months have
sought relief in dissipation of one kind or another, as Brown tells us
he did in drug-taking, is likely: that he was now or at any time
habitually given to drink is disproved by the explicit testimony of all
his friends as well as of Brown, his closest intimate. In his few
letters of the time his secret misery is betrayed only by a single
phrase. Early in December he writes arranging to go with Severn to see
the picture with which Severn was competing for, and eventually won, the
annual gold medal of the Academy for historical painting. The subject
was 'The Cave of Despair' from Spenser. Keats in making the appointment
adds parenthetically from his troubled heart, 'you had best put me into
your Cave of Despair.' A little later we hear of him flinging out in a
fit of angered loyalty from a company of elder artists, Hilton, De Wint
and others, where the deserts of the winner were disparaged and his
success put down to favouritism.
It would seem that as late as November 17th he was still, or had quite
lately been, going on with _The Cap and Bells_. He writes on that date
to Taylor depreciating what he has recently been about and indicating in
what direction his thoughts, when he could bend them seriously upon work
at all, were inclined to turn:--
Public-domain text, read in full here on John Shaqi.
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