Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new-blown with pleasant pain,
Instead of pines shall murmur in the wind.
But in a moment we are carried beyond criticism by that incomparable
distillation of one, or many, of his impressions among the Lakes or in
Scotland,--
Far, far around shall those dark-cluster'd trees
Fledge the wild-ridged mountains steep by steep.
For such a master-stroke of concentrated imaginative description no
praise, much as has been showered on it by Ruskin and lesser critics,
can be too great.
Keats declares to his brother that this is the first of his poems with
which he has taken even moderate pains. That being so, it is remarkable
that he should have let stand in it as many as three unrimed
line-endings: and what the poem truly bears in upon the reader is a
sense less of special care and finish than of special glow and ardour,
till he is left breathless and delighted at the threshold of the
sanctuary prepared by the 'gardener Fancy,' his mind enthralled by the
imagery and his ear by the verse, with its swift, mounting music and
rich, vehemently iterated assonances towards the close:--
A rosy sanctuary will I dress
With the wreath'd trellis of a working brain,
With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
With breeding flowers, will never breed the same;
And thither will I bring all soft delights
That shadowy thought can win,
A bright torch, and a casement ope at nights,
To let the warm Love in!
The four remaining spring odes are slower-paced, as becomes their more
musing tenour, and are all written in a succession of stanzas repeated
uniformly or with slight variations. Throughout them all each stanza is
of ten lines and five rimes, the first and second rimes arranged in a
quatrain, the third, fourth and fifth in a sestet: the order of rimes in
the sestet varying in the different odes, and in one, the nightingale
ode, the third line from the end being shortened so as to have three
stresses instead of five.
Public-domain text, read in full here on John Shaqi.
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