Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
General
Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
months the harmony of their relations was complete.
The 'little cottage' in the Vale of Health must have been fairly
overcrowded, one would suppose, with Hunt's fast-growing family of young
children, but a bed was made up for Keats on a sofa, 'in a parlour no
bigger than an old mansion's closet,' says Hunt, which nevertheless
served him for a library and had prints after Stothard hung on the walls
and casts of the heads of poets and heroes crowning the bookshelves.
Here the young poet was made always welcome. The sonnet beginning 'Keen,
fitful gusts are whispering here and there' records a night of October
or November 1816, when, instead of staying to sleep, he preferred to
walk home under the stars, his head full of talk about Petrarch and the
youth of Milton, to the city lodgings where he lived with his brothers
the life affectionately described in that other pleasant sonnet written
on Tom's birthday, November 18, beginning 'Small, busy flames play
through the fresh-laid coals.' The well-known fifty lines at the end of
_Sleep and Poetry_, a poem on which Keats put forth the best of his
half-fledged strength this winter, give the fullest and most engaging
account of the pleasure and inspiration he drew from Hunt's
hospitality:--
The chimes
Of friendly voices had just given place
To as sweet a silence, when I 'gan retrace
The pleasant day, upon a couch at ease.
It was a poet's house who keeps the keys
Of pleasure's temple. Round about were hung
The glorious features of the bards who sung
In other ages--cold and sacred busts
Smiled at each other. Happy he who trusts
To clear Futurity his darling fame!
Then there were fauns and satyrs taking aim
At swelling apples with a frisky leap
And reaching fingers, 'mid a luscious heap
Of vine-leaves. Then there rose to view a fane
Of liny marble, and thereto a train
Of nymphs approaching fairly o'er the sward:
One, loveliest, holding her white hand toward
The dazzling sun-rise: two sisters sweet
Bending their graceful figures till they meet
Over the trippings of a little child:
And some are hearing, eagerly, the wild
Thrilling liquidity of dewy piping.
See, in another picture, nymphs are wiping
Cherishingly Diana's timorous limbs;--
A fold of lawny mantle dabbling swims
At the bath's edge, and keeps a gentle motion
With the subsiding crystal: as when ocean
Heaves calmly its broad swelling smoothness o'er
Its rocky marge, and balances once more
The patient weeds; that now unshent by foam
Feel all about their undulating home...
Petrarch, outstepping from the shady green,
Starts at the sight of Laura; nor can wean
His eyes from her sweet face. Most happy they!
For over them was seen a free display
Of out-spread wings, and from between them shone
The face of Poesy: from off her throne
She overlook'd things that I scarce could tell.
Public-domain text, read in full here on John Shaqi.
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