Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame — John Shaqi
Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
General
Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
For all the study and research, that have lately been spent on the life
and work of Keats, there is one point as to which we remain as much in
the dark as ever, and that is his family history. He was born at an hour
when the gradually re-awakened genius of poetry in our race, I mean of
impassioned and imaginative poetry, was ready to offer new forms of
spiritual sustenance, and a range of emotions both widened and deepened,
to a generation as yet only half prepared to receive them. If we
consider the other chief poets who bore their part in that great
revival, we can commonly recognize either some strain of power in their
blood or some strong inspiring quality in the scenery and traditions of
their home, or both together. Granting that the scenic and legendary
romance of the Scottish border wilds were to be made live anew for the
delight of the latter-day world, we seem to see in Walter Scott a man
predestined for the task alike by origin, association, and opportunity.
Had the indwelling spirit of the Cumbrian lakes and mountains, and their
power upon the souls and lives of those living among them, to be newly
revealed and interpreted to the general mind of man, where should we
look for its spokesman but in one of Wordsworth's birth and training?
What, then, it may be asked, of Byron and Shelley, the two great
contrasted poets of revolution, or rather of revolt against the
counter-revolution, in the younger generation,--the one worldly,
mocking, half theatrically rebellious and Satanic, the other unworldly
even to unearthliness, a loving alien among men, more than half truly
angelic? These we are perhaps rightly used to count as offspring of
their age, with its forces and ferments, its violent actions and
reactions, rather than of their ancestry or upbringing. And yet, if we
will, we may fancy Byron inspired in literature by demons of the same
froward brood that had urged others of his lineage on lives of adventure
or of crime, and may conceive that Shelley drew some of his instincts
for headlong, peremptory self-guidance, though in directions most
opposite to the traditional, from the stubborn and wayward stock of
colonial and county aristocracy whence he sprang.
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