"Ipse volens Phoebus se dispertire duobus, Altera dona mihi, dedit altera dona parenti." As a composer, the circumspect, and, as many no doubt thought prosaic scrivener, took rank among the best of his day. One of his compositions, now lost, was rewarded with a gold medal by a Polish prince (Aubrey says the Landgrave of Hesse), and he appears among the contributors to _The Triumphs of Oriana_, a set of twenty-five madrigals composed in honour of Queen Elizabeth. "The Teares and Lamentations of a Sorrowful Soule"--dolorous sacred songs, Professor Masson calls them--were, according to their editor, the production of "famous artists," among whom Byrd, Bull, Dowland, Orlando Gibbons, certainly figure, and three of them were composed by the elder Milton. He also harmonized the Norwich and York psalm tunes, which were adapted to six of the Psalms in Ravenscroft's Collection. Such performance bespeaks not only musical accomplishment, but a refined nature; and we may well believe that Milton's love of learning, as well as his love of music, was hereditary in its origin, and fostered by his contact with his father. Aubrey distinctly affirms that Milton's skill on the organ was directly imparted to him by his father, and there would be nothing surprising if the first rudiments of knowledge were also instilled by him. Poetry he may have taught by precept, but the one extant specimen of his Muse is enough to prove that he could never have taught it by example. We have therefore to picture Milton growing up in a narrow street amid a strict Puritan household, but not secluded from the influences of nature or uncheered by melodious recreations; and tenderly watched over by exemplary parents--a mother noted, he tells us, for her charities among her neighbours, and a father who had discerned his promise from the very first. Given this perception in the head of a religious household, it almost followed in that age that the future poet should receive the education of a divine. Happily, the sacerdotal caste had ceased to exist, and the education of a clergyman meant not that of a priest, but that of a scholar. Milton was instructed daily, he says, both at grammar schools and under private masters, "as my age would suffer," he adds, in acknowledgment of his father's considerateness. Like Disraeli two centuries afterwards (perhaps the single point of resemblance), he went for schooling to a Nonconformist in Essex, "who," says Aubrey, "cut his hair short." His own hair? or his pupil's? queries Biography. We boldly reply, Both. Undoubtedly Milton's hair is short in the miniature painted of him at the age of ten by, as is believed, Cornelius Jansen. A thoughtful little face, that of a well-nurtured, towardly boy; lacking the poetry and spirituality of the portrait of eleven years later, where the long hair flows down upon the ruff.