Life of Joseph Brant—Thayendanegea (Vol. I.): Including the Border Wars of the American Revolution and Sketches of the Indian Campaigns of Generals Harmar, St. Clair, and Wayne; And Other Matters Connected with the Indian Relations of the United States and Great Britain, from the Peace of 1783 to the Indian Peace of 1795 — John Shaqi
Life of Joseph Brant—Thayendanegea (Vol. I.): Including the Border Wars of the American Revolution and Sketches of the Indian Campaigns of Generals Harmar, St. Clair, and Wayne; And Other Matters Connected with the Indian Relations of the United States and Great Britain, from the Peace of 1783 to the Indian Peace of 1795Stone, William L. (William Leete)
History
Life of Joseph Brant—Thayendanegea (Vol. I.): Including the Border Wars of the American Revolution and Sketches of the Indian Campaigns of Generals Harmar, St. Clair, and Wayne; And Other Matters Connected with the Indian Relations of the United States and Great Britain, from the Peace of 1783 to the Indian Peace of 1795
Stone, William L. (William Leete)
Brant, Joseph, 1742-1807; Indians of North America -- Wars -- 1750-1815; Mohawk Indians -- Kings and rulers -- Biography
A few words respecting the embellishments of these volumes. The
frontispiece of each volume presents an elegantly engraved portrait of the
brave and wary Mohawk, who forms the principal biographical figure of the
work, taken at different periods of his life. The Chief sat for his
picture several times in England; once, at the request of Boswell, in
1776, but to what artist is not mentioned. He likewise sat, during the
same visit, to the celebrated portrait and historical painter, George
Romney, for the Earl of Warwick. He was again painted in England, in 1786,
for the Duke of Northumberland; and a fourth time, during the same visit,
in order to present his likeness in miniature to his eldest daughter. His
last sitting was to the late Mr. Ezra Ames of Albany, at the request of
the late John Caldwell, Esq. of that city. This was about the year 1805,
and the likeness is pronounced the best ever taken of Captain Brant. The
author's valued friend Catlin has made a very faithful copy of this
portrait, which has been beautifully engraved by Mr. A. Dick, a well-known
and skillful artist of New-York. This picture, as latest in the order of
time, will be found at the head of the second volume. The inscription of
this plate is a _facsimile_ of the old chief's signature, from a letter
written by him to the Duke of Northumberland not long before his death.
The author has another picture of the elder Brant, of which he may be
pardoned for giving some account. Being at Catskill, in the Summer of
1833, the author discovered, in the possession of his friend, Mr. Van
Bergen, some odd volumes of the London Magazine of 1776, in one of which
he accidentally found an engraving of Brant, from the portrait taken for
Boswell, in the gala costume of the Chief as he appeared at Court. The
countenance of this picture, however, was dull, and comparatively
unmeaning. On his visit to Upper Canada, in September, 1836, the
chieftain's daughter, Mrs. Kerr, showed him a head of her father in a gold
locket, which was full of character and energy--with an eye like the
eagle's. Having procured this locket, and placed it, together with the
engraving referred to, in the hands of Mr. N. Rogers, that eminent artist
has produced a very spirited and beautiful picture, which was painted
expressly to be engraved for this work. Before it was placed in the hands
of the artist, however, Mr. Chapman, an artist of New-York, returning from
a visit to England, brought with him a superb print of Brant, taken from
the Earl of Warwick's picture by Romney. As this print not only presents
more of the figure of the chief than either of the others, and possesses
withal more character and spirit, it has been adopted for the work in lieu
of that painted by Mr. Rogers. The engraving has also been well executed
by Dick, and stands in front of the first volume. The picture by Catlin
is the war-chief of the forest in the full maturity of years. The other
is the Indian courtier in London.
Public-domain text, read in full here on John Shaqi.
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