Duni was followed by Pierre Alex. Monsigny (1729-1817),[28] a
dilettante, who was so excited by the performances of the Bouffons that
he applied himself to the study of music, and at once began to compose
operas. In 1759 he put his first opera, "Les Aveux Indiscrets," on
the stage, and this was rapidly succeeded by others. Sedaine was so
interested in Monsigny that he intrusted all his operatic librettos to
him.[29] A wider sphere was opened to him with the three-act opera, "Le
Roi et le Fermier," which was the commencement of the most brilliant
success. It must be allowed that the co-operation of a poet to whom even
Grimm allows all the qualities of a good librettist[30] was an important
element in this success; but Monsigny's work was quite on a level with
that of his collaborateur. His music expresses with instinctive truth
the most amiable side of the French character. Monsigny not only had at
his command a wealth of pleasing sympathetic melodies, but possessed as
decided a talent for pathos as for light comedy, and a sure perception
of dramatic effect, combined with life, delicacy, and grace. His natural
feeling for beauty of form concealed the want of thorough artistic
training,[31] and his operas were universally admired, some of them,
such as "Le Déserteur,"[32] acquiring more extended fame.
{PHILIDOR, 1759-1795--GRÉTRY, 1768-1813.}
(13)
A better theoretical musician was Franç. André (Danican) Philidor
(1727-1795), who enjoyed the reputation of extraordinary genius as
a chess-player before appearing as a composer with his first opera,
"Blaise le Savetier," in 1759.[33] His fame as a musician was soon
established, and he ruled the comic stage with Duni and Monsigny until
Grétry took possession of it. He was reproached with justice for
too great a display of musical scholarship, and for making his
accompaniments too prominent.[34] He had more force and energy than
Monsigny, with greater power of passionate expression, but his fun
is coarser, and he is inferior in grace and tenderness. He finally
abandoned music, partly from disinclination to enter into rivalry with
Grétry, and partly from his passion for chess.
Public-domain text, read in full here on John Shaqi.
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