[Footnote 28: K. R[isbeck], Briefe, I., p. 292. G. Forster, Sämmtl. Schr., VII., p. 268. Meyer, L. Schroder, I., p. 360, Schink, Dramaturg. Monate, II., p. 542.] [Footnote 29: Niemetschek, p. 92. According to a letter of Nissen's to Härtel (November 27, 1799), they were in the possession of Gelinek, and are apparently lost. Journ. d. Lux. u. d. Mod., 1808, II., p. 802.] [Footnote 30: Prutz, Deutsch. Museum, II., p. 27. Frank was well known as a "great musician." Briefw. Carl Augusts mit Goethe, I., p. 302.] [Footnote 31: L. Mozart wrote to his daughter from Vienna (March 12, 1785): "He has had a great _fortepiano pedal_ made, which stands under the harpsichord, three spans long, and fearfully heavy."] [Footnote 32: Allgem. Wiener Mus. Ztg., 1842, p. 489. Seidel, Handschr. Notiz.] [Footnote 33: Holmes tells the story on trustworthy family authority (p. 258).] [Footnote 34: Allgem. Wien. Mus. Ztg., 1842, p. 489.] [Footnote 35: Holmes, p. 259. Cf. Fétis, Curios. Hist, de la Mus., p. 212.] [Footnote 36: Stadler (Vertheidig. der Echtheit des Req., p. 13) says: "When I turn over these leaves, I never fail to remember the great master, and rejoice in observing his manner of working."] [Footnote 37: Zelter, Briefw. mit Goethe, V., p. 85. In the Wiener Zeitung, 1796, p. 1038, Jos. Haydenreich advertises for sale at a price of 4 fl. 30 kr., "Ein noch unbekanntes geschriebenes Fundament zur erlernung des Generalbasses von Mozart."] [Footnote 38: It has been published several times in Vienna by Steiner & Co. with the title of "Kurzgefasste Generalbass-schule von W. A. Mozart,'' and as "Fundament des Generalbasses von W. A. Mozart," by J. G. Siegmeyer (Berlin, 1822).] [Footnote 39: Holmes, p. 316.] [Footnote 40: Kelly, Reminisc., I., p. 228.] [Footnote 41: Nicolai, Reise, IV., p. 552. C. Pichler, Denkw., I., p. 127.] [Footnote 42: Nicolai (Reise, IV., p. 552) dilates upon the announcement of these great amateur concerts, and especially upon paragraph 6, which runs: "Card-tables will be placed in the ante-rooms, and money for play provided at discretion; the company will also be provided with every kind of refreshment." He asserts that this was not so at the private concerts of true connoisseurs, at which he had been present.] [Footnote 43: Wien. Ztg., 1782, No. 44. K. R[isbeck], Briefe, I., p. 276. "The entertainments I most enjoyed during the nights of last summer, were the so-called 'lemonade-tents.' Great tents were erected on one of the largest open spaces in the city, and there lemonade was dispensed at night; several hundred seats were occupied by ladies and gentlemen. A band of music was placed at a little distance, and the perfect silence which was maintained by the numerous assembly had an indescribable effect. The charming music, the solemn silence, the confidential mood engendered by the night, all combined to give the scene a peculiar charm" (Jahrb. d. Tenk., 1796, p. 78).] [Footnote 44: Hormayr, Wien., V., I., pp. 41, 50.]