[Footnote 45: Nicolai, Reise., III., p. 12.] [Footnote 46: Franz Türke is mentioned later as a distinguished amateur (Jahrb. d. Tonk., 1796, p. 63).] [Footnote 47: In 1791, Martin, "directeur des concerts d'amateurs," announced his great concerts in the Imperial Augarten in the Prater, and at court, in a somewhat doleful manner (Wien. Ztg., 1791, No. 45 Anh.). They were afterwards continued under the conductorship of the vice-president, Von Keess (Jahr. d. Tonk., 1796, p. 74. A. M. Z., III., p. 46).] [Footnote 48: Cramer, Magazin d. Musik, I., p. 578: "A concert was given this after-noon in the National Theatre for the benefit of the celebrated Herr Chevalier Mozart, the performance including several pieces of his own composition. The concert was attended by a very numerous audience, and the two new concertos and various fantasias, which Herr Mozart performed on the pianoforte, were received with loud and general applause. Our gracious Emperor, contrary to custom, remained through the whole performance, and joined in the unprecedented applause of the public. The receipts are said to amount to 1,600 florins."] [Footnote 49: Wien. Ztg., 1784, No. 28, Anh.] [Footnote 50: Nicolai, Reise, II., p. 636.] [Footnote 51: This imposing list includes not only the names of Mozart's avowed patrons, Countess Thun, Baroness Waldstädten, Count Zichy, Van Swieten, but also of the Duke of Würtemburg, the Prince of Mecklenburg, the Princes C. Liechtenstein, Augsperg, Kaunitz, Lichnowsky, Lobkowitz, Paar, Palm, Schwarzenberg, and the famous names of Bathiany, Dietrichstein, Erdödy, Esterhazy, Harrach, Herberstein, Keglewicz, Nostiz, Palfy, Schaffgotsch, Stahremberg, Waldstein; besides the Ambassadors of Russia, Spain, Sardinia, Holland, Denmark, the great bankers, Fries, Henikstein, Arenfeld, Bienenfeld, Ployer, Wetzlar, high officers of state and scholars, such as Isdenczy, Bedekovich, Nevery, Braun, Greiner, Keess, Puffendorf, Bom, Martini, Sonnenfels--in very truth the most distinguished society of Vienna.] [Footnote 52: Kelly, Reminisc., I., p. 231. Pohl, Mozart in London, p. 169.] [Footnote 53: At the same time Mozart wrote the two concertos for Barb, von Ployer (Vol.II., p. 279), a concerto in Bflat major (No. 4., 450 K.)on March 15, aconcerto in D major (No. 13., 451 K.) on March 22, and the quintet (452 K.) on March 30.] [Footnote 54: Wien. Ztg., 1786, No. 28, Anh.] [Footnote 55: Storace and Coltellini had a salary of 1,000 ducats, besides free quarters and travelling expenses; and to this was added the profit accruing from benefits, concerts, and other sources. Marchesi received 600 ducats and a valuable ring for six performances (Müller, Abschied, p. 8).] [Footnote 56: Theaterkal., 1787, p. 95. C. Pichler, Denkw., I., p. 124.] [Footnote 57: Wien. Ztg., 1782, No. 82.] [Footnote 58: Jahrb. Tonk., 1796, p. 25.]