Another branch of concerted music high in favour in Mozart's day was the
so-called "Harmoniemusik," written exclusively for wind instruments, and
for performance at table or as serenades. Families of rank frequently
retained the services of a band for "Harmoniemusik" instead of a
complete orchestra.[28] The Emperor Joseph selected eight distinguished
virtuosi[29] for the Imperial "Harmonie," who played during meals,
especially when these took place in the imperial pleasure-gardens. The
performances included operatic arrangements as well as pieces composed
expressly for this object.[30] Reichardt dwells on the enjoyment
afforded him in 1783 by the Harmoniemusik of the Emperor and the
Archduke Maximilian. "Tone, delivery, everything was pure and
harmonious; some movements by Mozart were lovely; but unluckily nothing
of Haydn's was performed."[31] First-class taverns supported their own
"Harmonie" bands, in order that the guests might not be deprived of this
favourite accompaniment to their meals.[32]
Besides the great serenades, intended for public performance, the old
custom was still practised of writing "Standchen,"[33] for performance
under the window of the person who was to be thus celebrated; and the
general desire that such pieces should be new and original provided
composers with almost constant employment on them.[34] Wind instruments
were most in vogue for this "night-music." The instruments were usually
limited to six--two clarinets, two horns, and two bassoons, strengthened
{SERENADES FOR WIND INSTRUMENTS.}
(25)
sometimes by two oboes. Such eight-part harmonies sufficed both the Emperor
and the Elector of Cologne as table-music and for serenades; and at a
court festival at Berlin in 1791 the music during the banquet was
thus appointed.[35] The "Standchen," in "Cosi fan Tutte" (21), and the
table-music, in the second finale of "Don Giovanni," are imitations of
reality.
Mozart did not neglect the opportunities thus afforded him of making
himself known during his residence in Vienna. He writes to his father
(November 3, 1781):--
Public-domain text, read in full here on John Shaqi.
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