When he read the poem to his parents, upon its conclusion, both were much impressed by it, though his father made severe strictures upon its lack of polish, its terminal inconcision, and its vagueness of thought. That he was not more severe was accepted by his son as high praise. The author had, however, little hope of seeing it in print. Mr. Browning was not anxious to provide a publisher with a present. So one day the poet was gratified when his aunt, handing him the requisite sum, remarked that she had heard he had written a fine poem, and that she wished to have the pleasure of seeing it in print. To this kindly act much was due. Browning, of course, could not now have been dissuaded from the career he had forecast for himself, but his progress might have been retarded or thwarted to less fortunate grooves, had it not been for the circumstances resultant from his aunt's timely gift. The MS. was forthwith taken to Saunders & Otley, of Conduit Street, and the little volume of seventy pages of blank verse, comprising only a thousand and thirty lines, was issued by them in January 1833. It seems to us, who read it now, so manifestly a work of exceptional promise, and, to a certain extent, of high accomplishment, that were it not for the fact that the public auditory for a new poet is ever extraordinarily limited, it would be difficult to understand how it could have been overlooked. "Pauline" has a unique significance because of its autopsychical hints. The Browning whom we all know, as well as the youthful dreamer, is here revealed; here too, as well as the disciple of Shelley, we have the author of "The Ring and the Book". In it the long series culminating in "Asolando" is foreshadowed, as the oak is observable in the sapling. The poem is prefaced by a Latin motto from the `Occult Philosophy' of Cornelius Agrippa, and has also a note in French, set forth as being by Pauline, and appended to her lover's manuscript after his death. Probably Browning placed it in the mouth of Pauline from his rooted determination to speak dramatically and impersonally: and in French, so as to heighten the effect of verisimilitude.*