Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
It was an eventful first of May -- an eventful twelvemonth, indeed,
for it was the initial year of the Victorian era, notable, too,
as that wherein the Electric Telegraph was established, and, in letters,
wherein a new dramatic literature had its origin. For "Strafford",
already significant of a novel movement, and destined, it seems to me,
to be still more significant in that great dramatic period towards which
we are fast converging, was not less important to the Drama in England,
as a new departure in method and radically indicative of a fresh standpoint,
than "Hernani" was in France. But in literary history
the day itself is doubly memorable, for in the forenoon
Carlyle gave the first of his lectures in London. The play was a success,
despite the shamefully inadequate acting of some of those entrusted with
important parts. There was once, perhaps there were more occasions than one,
where success poised like the soul of a Mohammedan on the invisible thread
leading to Paradise, but on either side of which lies perdition.
There was none to cry `Timbul' save Macready, except Miss Helen Faucit,
who gained a brilliant triumph as Lady Carlisle. The part of Charles I.
was enacted so execrably that damnation for all was again and again
within measurable distance. "The Younger Vane" ranted so that a hiss,
like an embodied scorn, vibrated on vagrant wings throughout the house.
There was not even any extraneous aid to a fortunate impression.
The house was in ill repair: the seats dusty, the "scenery" commonplace
and sometimes noticeably inappropriate, the costumes and accessories
almost sordid. But in the face of all this, a triumph was secured.
For a brief while Macready believed that the star of regeneration had arisen.
Unfortunately 'twas, in the words of a contemporary dramatic poet,
"a rising sorrow splendidly forlorn." The financial condition
of Covent Garden Theatre was so ruinous that not even the most successful play
could have restored its doomed fortunes.
After the fifth night one of the leading actors, having received
a better offer elsewhere, suddenly withdrew.
Public-domain text, read in full here on John Shaqi.
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