Life of Schamyl: And Narrative of the Circassian War of Independence Against Russia — John Shaqi
Life of Schamyl: And Narrative of the Circassian War of Independence Against RussiaMackie, J. Milton (John Milton)
History
Life of Schamyl: And Narrative of the Circassian War of Independence Against Russia
Mackie, J. Milton (John Milton)
Caucasus -- History; Shamil, Imam, 1798?-1871
How untrue the representation that a people in whose hearts lives the
love of songs like these are a race of freebooters! Listening constantly
to the praise of heroes, whether famous in the legends of antiquity or
still living surrounded with the respect of their fellows, the soul of
the young warrior is early inspired with a love for war and glory. He,
too, will be a hero. He will be the first in his district, the chief of
his tribe, the praise of the mountains, and the terror of the plains. He
therefore goes forth to distinguish himself in the fight, and bring home
trophies of his prowess. If theft is held in esteem by the Circassian,
as formerly by the Spartan warrior, it is so mainly for its adroitness,
a quality so necessary in circumventing the enemy; and if he exults in
stripping the discomfited Muscovite and Cossack of their arms and
clothing, these are the tokens of his valor, and chiefly as such are
prized by him.
XIV.
DANCES.
Schamyl, though from boyhood exhibiting in manners and character a
certain degree of thoughtful gravity beyond his years, was, like all his
countrymen, a dancer. Nor does the Circassian dance require, for the
most part, any levity of disposition in the performer; some varieties of
it being practised as a martial exercise, and with a decorum bordering
on seriousness. In the war-dance the Lesghian, more particularly, is
imperious in look as well as animated in action. He carries himself
haughtily through all the evolutions, moving with equal grace and
rapidity, keeping perfect time in his complicated steps, exhibiting an
elasticity of tread, a suppleness of limbs, and a vigor of body truly
astonishing; while at the same time the fierce earnestness of his
countenance and his noble bearing are, as it were, a challenge to his
enemies. Among European dances this warlike figure most resembles the
highland fling of Scotland.
The dancing of the women appears tame and monotonous in comparison.
Theirs is a slow movement, the principal charm of which is in its grace,
and which requires for its execution a certain undulating motion of the
body rather than any extra exertion of the feet and legs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account