Life of Schamyl: And Narrative of the Circassian War of Independence Against RussiaMackie, J. Milton (John Milton)
History
Life of Schamyl: And Narrative of the Circassian War of Independence Against Russia
Mackie, J. Milton (John Milton)
Caucasus -- History; Shamil, Imam, 1798?-1871
There is also the clown's dance, generally executed at entertainments
after the mead or _boza_ has worked sufficiently on the brain to produce
a moderate degree of hilarity. It commences with a measured clapping of
hands; a few low notes succeed, which, as the audience joins in, swell
into a lively air; when some wild-looking "ghilly" in a long, tattered
coat springs into the centre of the circle and begins shuffling. As he
proceeds the singing grows gradually louder, accompanied from time to
time with a more violent clapping of hands. Even shouts and screams are
occasionally added to spur him on. Excited to the highest pitch of
enthusiasm he then hops about with vigor, springing on the very points
of his toes, and spinning around with great velocity, until suddenly
down he drops flat on the green with strange ventriloquial sounds,
mingled with moans as if the fall had half killed him. Then he throws
off a volley of witty impromptus which set the ring in a roar of
laughter; to these are added comical imitations of the cries of various
animals; next he addresses some chieftain present in a strain of mock
eloquence; and finally, the laughing devil leaping out of his eye, ends
his buffoonery with dealing a pretty good whack or two over the
shoulders of the most reverend seignor in the company, who, if he
himself is a serf, may be his own master.
Frequently the dancer accompanies his motions more or less with his
voice, being assisted also by the audience, who beat the measure with
their hands, and chant the chorus of A-ri-ra-ri-ra. And as from time to
time holding up his long garment behind with both hands, and bending his
body low, he watches exultingly the movement of his feet, he shouts
aloud with plaintive voice as if undergoing severe pain instead of
experiencing an ecstasy of delight.
When the song of the dancer runs on love and vaunts the praises of some
maiden renowned for beauty, the young warriors present pledge their own
sweethearts in bowls of boza, and every few minutes discharge their
pistols or rifles in the air. This latter act is always regarded as a
challenge to the whole company, and whoever has a charge of gunpowder
left immediately burns it in honor of the superior charms of his
lady-love.
Public-domain text, read in full here on John Shaqi.
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