Most striking, probably, of the characteristics of the "Lives" is their very evident effort to exalt and glorify the saint at any cost. With this end of glorification in view the hagiographer is prepared to swallow everything and record anything. He has, in fact, no critical sense and possibly he would regard possession of such a sense as rather an evil thing and use of it as irreverent. He does not, as a consequence, succeed in presenting us with a very life-like or convincing portrait of either the man or the saint. Indeed the saint, as drawn in the Lives, is, as already hinted, a very unsaintlike individual--almost as ready to curse as to pray and certainly very much more likely to smite the aggressor than to present to him the other cheek. In the text we shall see St. Mochuda, whose Life is a specially sane piece of work, cursing on the same occasion, first, King Blathmac and the Prince of Cluain, then, the rich man Cronan who sympathised with the eviction, next an individual named Dubhsulach who winked insolently at him, and finally the people of St. Columba's holy city of Durrow who had stirred up hostile feeling against him. Even gentle female saints can hurl an imprecation too. St. Laisrech, for instance, condemned the lands of those who refused her tribute, to--nettles, elder shrub, and corncrakes! It is pretty plain that the compilers of the lives had some prerogatives, claims or rights to uphold--hence this frequent insistence on the evil of resisting the Saint and presumably his successors.