Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth CenturyDavis, William Stearns
History
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century
Davis, William Stearns
Chivalry; Civilization, Medieval; Feudalism
The problems of the towers and the curtain wall detain one long,
for they sum up the fundamental principles of thirteenth-century
fortifications. But now before us opens the broad court of the bailey
itself, the scene of much of the homely life of the castle; in fact,
the place now swarms with people busy with all kinds of activities.
The pavement is none too clean. There are large muck piles, and one
sees hens and a few pigs and dogs foraging everywhere. A genuine
village really exists inside the bailey. To the right of the gate is
a rambling, thatched-roof stable where in a long row of stalls the
fifty-odd horses of the seigneur are champing their morning fodder.
Near the stables stand tall ricks of hay. Behind these are a second
line of inelegant wooden structures: they are the barracks for the less
favored castle servitors, and for a part of the heavy-handed men at
arms whom Baron Conon keeps for instant duty.
[Sidenote: Buildings and Life in the Bailey]
On the left side of the gate are several more buildings. To be noted
are a commodious carpenter shop where saw and hammer are already
plying; a well-appointed smithy where at one ringing forge the
baroness's white palfrey is being reshod, and at another the master
armorer is putting a new link into a mail shirt. The castle smith's
position is no sinecure. He has to keep a great quantity of weapons
and armor in constant order; he has to do all the recurring small
jobs around the great establishment; and in emergency to manufacture
quantities of lance heads and arbalist bolts, as well as perhaps to
provide the metal work for siege engines on which may rest the fate
of the castle. Conon's first armorer is accordingly one of the most
important and best rewarded of all the servitors.
Besides these workshops there is a long storehouse, a repository for
not merely the food, but all other kinds of supplies needful in a
siege. Near by stands a smaller, shedlike structure, puzzling at first
to strangers, but which explains itself by the shrill screams and cries
issuing thence. It is the baron's hawk house, the mews, where the chief
falconer is now feeding the raw meat to the great hawks and falcons in
which his noble masters take delight. Close to these secular buildings,
however, there rises somewhat incongruously an elegant Gothic chapel,
with soaring pinnacles, a rose window at the end of the small nave,
sculptured saints flanking the portal, and within one finds glorious
stained glass, more saints' images and carvings, and a rich altar. This
is the little castle church to which very many dwellers of St. Aliquis,
including messire and madame, had repaired piously at gray dawn, and
where now good Father Grégoire has just finished a rather hasty mass.
Public-domain text, read in full here on John Shaqi.
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