As the party approaches Pontdebois the houses become better and closer together, and just outside the gate is a group of taverns, available for those who prefer to carouse or lodge without rather than within the city walls. Conon is on terms of hospitality with a rich burgher who has found the baron's favor profitable, and he leads his company promptly inside the gates, but many of the humbler travelers turn off to these taverns. Adela gives an aristocratic sniff of disdain as they ride past such places. They are assuredly very dirty, and from them proceeds the smell of stale wine and poor cooking. The owners, smooth, smirking men, stand by the road as travelers come in sight and begin to praise their hostelries. "Within," one of them is calling out, "are all manner of comforts, painted chambers, and soft beds packed high with white straw under soft feather mattresses. Here is your hostel for love affairs. When you retire you will fall asleep on pillows of violets, after you have washed out your mouth and rinsed your hands with rose water!" His victims, however, will find themselves in a dirty public dining room, where men and women alike are drinking and dicing around the bare oaken tables. At night the guests will sleep in the few chambers, bed wedged by bed, or perhaps two in a bed, upon feathers anything but vermin-proof. In the rear of most inns, too, there is a garden where guests are urged to carouse with the unsavory females who haunt the establishments. The visitors will be lucky if they can get safely away without being made stupidly drunken and then robbed, or having the innkeeper seize their baggage or even their clothes on the pretense that they have not paid their reckoning. Leaving these taverns at one side, the St. Aliquis company rides straight onward. Before it the spires and walls of Pontdebois are rising. The circuit of gray curtain walls and turrets reaches down to the Claire, on which barges are swinging, and across which stretches the solid wooden bridge which gives the Good Town its name. Above the walls you can see the gabled roofs of the more pretentious houses, the great round donjon, the civic watchtower, and, above all else, the soaring fabric and stately mass of the cathedral with the scaffolding still around its unfinished towers. Several smaller parish churches are also visible. The baron's company is obliged to halt at the gate, such is the influx and efflux of rickety carts, sumpter beasts, and persons thrusting across the drawbridge. "Way, good people," Conon's squires cry. "Way for Messire of St. Aliquis!" and at last, not without a cracking of whips to make these mechanic crowds know their betters, the party forces a path down the narrow streets. [Sidenote: Entering a City]