Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century — John Shaqi
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth CenturyDavis, William Stearns
History
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century
Davis, William Stearns
Chivalry; Civilization, Medieval; Feudalism
There are other rooms in the _palais_, but, considering the number
of people who have to live therein, they seem rather few. There is
little real privacy in St. Aliquis. The baron has a special closet
indeed, where he can retire and hope that he is not overheard, but
the great chamber for himself and the baroness is ordinarily full of
servitors. Next to the chamber is a second room where the baron's sons
sleep while they are little, and where honored guests can be lodged.
Conon's brother and sister have each a large apartment, but there seems
a singular lack of anterooms, boudoirs, and other retiring rooms. It
is perfectly good manners to ask noble guests to share the same rooms
with the family; and a couple of the baroness's maids will sleep on
pallets within her chamber, with the baron's favorite squire just
outside the door. As for the lesser folk at night, they often stretch
unceremoniously on the tables or even on the floor in the main hall.
The possession of a strictly private room is indeed a decided luxury;
even a great noble is often able to go without it.
[Illustration: INTERIOR OF A THIRTEENTH-CENTURY APARTMENT
From the restoration by Viollet-Le-Duc. At the left the chair where
sits the seigneur, the bed separated by a screen from the rest of the
hall; at the back, between the two windows, a cupboard; opposite the
fireplace, a large table. Tapestries ornament the walls.]
[Sidenote: Tables, Rushes and Tapestries in Hall]
The furniture of these apartments seems scanty, but it is at least very
solid. In the hall there are lines of tables set upon trestles, faced
by long backless seats. Here it is often needful to remove these tables
to arrange for a feudal ceremony or for a dance; but at one end
of the apartment is a raised dais, and at right angles to the others
runs the ponderous oaken table of the master. Conon faces the hall
from a high carved chair under a wooden canopy. The other seats on the
dais have the luxury of backs and arms. The fireplace is an enormous
construction, thrusting far into the room, where long logs on high
andirons can heat the stonework so it will glow furiously for hours.
To keep off the heat in winter there are fire screens of osier, but of
course in summer these disappear. Every festival day the paved floors
of the rooms in the _palais_ are strewn, if possible, with new rushes
and flowers--roses and lilies, flags and mint, making a soft crackling
mass under one's feet. They are fragrant and pleasant while fresh, and
even through the winter are allowed to remain to protect against the
chill of the floor. By springtime they are dried and are very filthy,
for the diners throw their bones and bits of bread and meat into them,
and the dogs and cats roaming about cannot devour all of such refuse.
Certain seigneurs, indeed are introducing the use of "Saracen carpets,"
gorgeous rugs either imported from the East or made up in France after
imported patterns; but these are an expensive innovation, and Conon as
Public-domain text, read in full here on John Shaqi.
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