Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth CenturyDavis, William Stearns
History
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century
Davis, William Stearns
Chivalry; Civilization, Medieval; Feudalism
Meantime, in a secluded part of the castle, the groom has been
wrestling with a similar problem, assisted by his two squires, although
requiring less of time and agony. His legs are covered with fine
brown silk stockings from Bruges; but it is effeminate to wear a silk
shirt--one of fine white linen will answer. His pelisson is like his
bride's, although less tightly laced--of cloth and silk, trimmed with
rich fur; and the outer color is pale red, inevitably with much gold
embroidery around the neck and sleeves. His bliaut does not come below
his knees, but it is of blue sendal silk; his mantle is also edged
with fur and of the same color as his pelisson. Simple as it is, it
must hang exactly right. Everybody will ask, "Did the groom wear his
mantle like a great baron?" The squires take a long time adjusting it.
Olivier's shoes are of very fine leather. On his crisply curled hair
they set a golden chaplet set with flashing gems--very much like that
worn by his bride.
Hardly are the happy twain ready before the wedding procession forms
in the bailey. So large a company could never crowd into the castle
chapel. It will go across the bridge over the Claire to the parish
church by the village--a Gothic structure sufficiently pretentious to
suit the occasion. The Perseignes reckon a bishop among their cousins,
and he is on hand to officiate.
[Sidenote: Marriage Procession and Ceremony]
So the procession forms. Ahead go a whole platoon of jongleurs puffing
their cheeks for their flutes, twanging their harps, or rasping
their viols. The Feudal Age delights in music, and does not mind if
sometimes melody is exchanged merely for a joyous noise. Alienor comes
next. She is on a black mule with extra long ears and a finely curried
shining coat. His harness is of gold and his trappings of scarlet
samite. She has been swung into the saddle by her eldest brother
("Alas! that her father, who should do this, is dead!" murmur all the
women), and he as her guardian leads the mule. Olivier rides a tall
white palfrey with a saddle of blue leather. His mother, Adela, and all
the St. Aliquis and Perseignes female relatives follow on other mules,
led by gayly dressed squires. Then come all the noble guests, the Duke
of Quelqueparte at their head. No wonder there is no work being done in
all the villages for miles around, and that all the villeins are lining
the road, doffing caps, and cheering as the dazzling cortége sweeps
past.
Public-domain text, read in full here on John Shaqi.
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