Artistic creation and appreciation brings another characteristic unfolding of life; and this also demonstrates an inner relation of man to the world, and can be developed only when this relation is acknowledged. In the first place, for this creation and appreciation a deliverance of life from the turmoil of ends and interests, which at first sway our existence, is essential; artistic creation and appreciation involves a resting and a tarrying in itself. If the world were no more than this turmoil, if it did not in some way attain to self-consciousness, how could such a deliverance be brought about? If a self-conscious life were not present in man, how could a longing for an artistic moulding of life arise in him? But an arousing of an inner life in things, the revelation of a soul, is accomplished not through imparting something from without, but through a meeting together of things and human endeavour. On the other hand, the spiritual expresses itself in a visible form and in doing so moulds itself. The chief thing in this connection is not mere beauty, a preparation for idle enjoyment, but a truth, a revelation of contents, a further development of life through and above the antithesis. How could something invisible and something visible, to express the matter briefly, find a common ground and combine together in a common action if nature were not more than the mere web of relations into which the mechanistic conception of it transforms it; if spiritual life were not more than the subjective form of life that it is supposed to be, according to general opinion; if from that form of life an inner life did not arise, and beyond all subjectivity attain to a full activity, and thus to the building up of a reality within its own province? That we do not simply become aware of a movement within ourselves, and then read it into nature, but only take up and lead to its own truth that which strives upward in nature, is again testified by the inner advance of this striving through its contact with the world, and by the infinite abundance of particular contents which are revealed to us in the world and which continually aid in our development. Again, our life experiences the most important elevation in that it takes up and carries further a movement of the whole, and is liberated from the narrowness of the particular sphere, without merging into a vague infinity. To realise clearly that we belong to the world, and energetically to amplify this relation, is of the greatest significance for artistic creation and appreciation. For it is only by becoming firmly established in these relations that artistic endeavour is able to resist the tendency to degenerate into play and pleasure--a tendency which threatens it with inner destruction; as in a similar manner the work of thought must guard itself from degenerating into mere reflection. In the realms of thought and art there remains much that is alien, ever surmise and symbol; but even symbol is not to