Since this scheme seeks to realise an æsthetic conception of life and an artistic culture in opposition to all the restraint of tradition and environment, it will come into particularly severe conflict with traditional religion and morality. It must reject religion, or at least what hitherto has been called religion, because, with its blending together of the spiritual and the sensuous in a single world, it can by no means acknowledge a world of independent spirituality; its thought is much too "monistic" for that. It must reject religion also for the reason that, with its immediate affirmation of life, it cannot in the least understand the starting-point of religion, the experience and perception of harsh inner contradictions in our existence. Religion, with all the heroism that it truly shows, is here regarded as a mere lowering of vital energy; a chimera which pleases the weak. In relation to morality the matter is not much different. A foundation of morality in the necessity of its own nature is lacking in this system. What motive could move a man who whole-heartedly accepted Æsthetic Individualism to acknowledge something external to the subject as a standard, and in accordance with this standard to put a check upon his natural impulses? Indeed, with the denial of spiritual activity and the division of the world into for and against, the entire antithesis of good and evil loses its meaning and its justification. Reality appears from the point of view of this system to be rent in twain in an unwarrantable manner at the command of a human authority. What is usually called morality is considered to be only a statute of the community, a means by which it seeks to rob the individual of his independence and to subordinate him to itself.