All this reasoning presents itself as an offspring of our own time, and wishes to establish the correctness of its claims on its own ground through its results. Yet it by no means lacks historical relations: often in the course of the centuries the subject has shaken off every constraint and sought a solution to life's problems in its own realm. This happened, first among the Sophists; then in a form less marked and with more direct attention to happiness in Epicureanism; later, in proud exaltation and in a titanic struggle with the world, in the Renaissance; and again in a more delicate and more contemplative manner in the Romantic period. Tendencies from all these operate in the Æsthetic Individualism of the present time and enrich it in many ways, though their contributions are not always free from contradiction. But, even with these historical elements, Æsthetic Individualism is essentially a modern product; and it cannot be denied that it has won a great power in the present; a movement of culture in this direction is unmistakeable. It is the very nature of this scheme of life not to hasten to a definite form, and for this reason it does not manifest itself with very definite features; but, with invisible power, it is everywhere present and creates a spiritual atmosphere from which it is difficult to withdraw ourselves. Notwithstanding all the attacks it is subjected to and the doubts as to its validity, it draws power continually from both the main tendencies which it unites; from the evolution of the subject and from the growth of art. Thus, here again we are concerned not with mere subjective willing and wishing, but with an actual movement in universal history. Whether this movement be the primary and the all-dominant remains to be examined by consideration of the total possessions of humanity. Such an examination is in this case peculiarly difficult, because in Individualism and Subjectivism diverse forms mingle together and give to the movement very different levels. There is, therefore, an obvious danger that, viewing these forms from the position of an average level, at which we may attempt to arrive, we may judge one too severely and another too leniently. And yet we cannot dispense with the assumption of such an average level; only, it must not be applied mechanically to the individual forms which are so numerous.