Life's Handicap: Being Stories of Mine Own PeopleKipling, Rudyard
History
Life's Handicap: Being Stories of Mine Own People
Kipling, Rudyard
India -- History -- British occupation, 1765-1947 -- Fiction; India -- Social life and customs -- Fiction; Short stories, English
The dense wet heat that hung over the face of land, like a blanket,
prevented all hope of sleep in the first instance. The cicalas helped
the heat; and the yelling jackals the cicalas. It was impossible to sit
still in the dark, empty, echoing house and watch the punkah beat the
dead air. So, at ten o’clock of the night, I set my walking-stick on
end in the middle of the garden, and waited to see how it would fall.
It pointed directly down the moonlit road that leads to the City of
Dreadful Night. The sound of its fall disturbed a hare. She limped from
her form and ran across to a disused Mahomedan burial-ground, where the
jawless skulls and rough-butted shank-bones, heartlessly exposed by the
July rains, glimmered like mother o’ pearl on the rain-channelled soil.
The heated air and the heavy earth had driven the very dead upward for
coolness’ sake. The hare limped on; snuffed curiously at a fragment of
a smoke-stained lamp-shard, and died out, in the shadow of a clump of
tamarisk trees.
The mat-weaver’s hut under the lee of the Hindu temple was full of
sleeping men who lay like sheeted corpses. Overhead blazed the unwinking
eye of the Moon. Darkness gives at least a false impression of coolness.
It was hard not to believe that the flood of light from above was warm.
Not so hot as the Sun, but still sickly warm, and heating the heavy air
beyond what was our due. Straight as a bar of polished steel ran the
road to the City of Dreadful Night; and on either side of the road lay
corpses disposed on beds in fantastic attitudes--one hundred and seventy
bodies of men. Some shrouded all in white with bound-up mouths; some
naked and black as ebony in the strong light; and one--that lay face
upwards with dropped jaw, far away from the others--silvery white and
ashen gray.
Public-domain text, read in full here on John Shaqi.
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