Life's Handicap: Being Stories of Mine Own People — John Shaqi
Life's Handicap: Being Stories of Mine Own PeopleKipling, Rudyard
History
Life's Handicap: Being Stories of Mine Own People
Kipling, Rudyard
India -- History -- British occupation, 1765-1947 -- Fiction; India -- Social life and customs -- Fiction; Short stories, English
A stifling hot blast from the mouth of the Delhi Gate nearly ends my
resolution of entering the City of Dreadful Night at this hour. It is a
compound of all evil savours, animal and vegetable, that a walled city
can brew in a day and a night. The temperature within the motionless
groves of plantain and orange-trees outside the city walls seems chilly
by comparison. Heaven help all sick persons and young children within
the city to-night! The high house-walls are still radiating heat
savagely, and from obscure side gullies fetid breezes eddy that ought
to poison a buffalo. But the buffaloes do not heed. A drove of them
are parading the vacant main street; stopping now and then to lay their
ponderous muzzles against the closed shutters of a grain-dealer’s shops
and to blow thereon like grampuses.
Then silence follows--the silence that is full of the night noises of a
great city. A stringed instrument of some kind is just, and only just,
audible. High overhead some one throws open a window, and the rattle
of the wood-work echoes down the empty street. On one of the roofs,
a hookah is in full blast; and the men are talking softly as the
pipe gutters. A little farther on, the noise of conversation is more
distinct. A slit of light shows itself between the sliding shutters of
a shop. Inside, a stubble-bearded, weary-eyed trader is balancing his
account-books among the bales of cotton prints that surround him. Three
sheeted figures bear him company, and throw in a remark from time to
time. First he makes an entry, then a remark; then passes the back of
his hand across his streaming forehead. The heat in the built-in street
is fearful. Inside the shops it must be almost unendurable. But the
work goes on steadily; entry, guttural growl, and uplifted hand-stroke
succeeding each other with the precision of clock-work.
Public-domain text, read in full here on John Shaqi.
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