‘They prayed, an’ the butter-fires blazed up an’ the incense turned everything blue, an’ between that an’ the fires the women looked as tho’ they were all ablaze an’ twinklin’. They took hold av the she-god’s knees, they cried out an’ they threw themselves about, an’ that world-without-end-amen music was dhrivin’ thim mad. Mother av Hiven! how they cried, an’ the ould she-god grinnin’ above thim all so scornful! The dhrink was dyin’ out in me fast, an’ I was thinkin’ harder than the thoughts wud go through my head--thinkin’ how to get out, an’ all manner of nonsense as well. The women were rockin’ in rows, their di’mond belts clickin’, an’ the tears runnin’ out betune their hands, an’ the lights were goin’ lower an’ dharker. Thin there was a blaze like lightnin’ from the roof, an’ that showed me the inside av the palanquin, an’ at the end where my foot was, stood the livin’ spit an’ image o’ mysilf worked on the linin’. This man here, ut was.’ He hunted in the folds of his pink cloak, ran a hand under one, and thrust into the firelight a foot-long embroidered presentment of the great god Krishna, playing on a flute. The heavy jowl, the staring eye, and the blue-black moustache of the god made up a far-off resemblance to Mulvaney. ‘The blaze was gone in a wink, but the whole schame came to me thin. I believe I was mad too. I slid the off-shutter open an’ rowled out into the dhark behind the elephint-head pillar, tucked up my trousies to my knees, slipped off my boots an’ tuk a general hould av all the pink linin’ av the palanquin. Glory be, ut ripped out like a woman’s dhriss whin you tread on ut at a sergeants’ ball, an’ a bottle came with ut. I tuk the bottle an’ the next minut I was out av the dhark av the pillar, the pink linin’ wrapped round me most graceful, the music thunderin’ like kettledrums, an’ a could draft blowin’ round my bare legs. By this hand that did ut, I was Khrishna tootlin’ on the flute--the god that the rig’mental chaplain talks about. A sweet sight I must ha’ looked. I knew my eyes were big, and my face was wax-white, an’ at the worst I must ha’ looked like a ghost. But they took me for the livin’ god. The music stopped, and the women were dead dumb an’ I crooked my legs like a shepherd on a china basin, an’ I did the ghost-waggle with my feet as I had done ut at the rig’mental theatre many times, an’ I slid acrost the width av that temple in front av the she-god tootlin’ on the beer bottle.’ ‘Wot did you toot?’ demanded Ortheris the practical. ‘Me? Oh!’ Mulvaney sprang up, suiting the action to the word, and sliding gravely in front of us, a dilapidated but imposing deity in the half light. ‘I sang-- ‘Only say You’ll be Mrs. Brallaghan. Don’t say nay, Charmin’ Judy Callaghan.